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Blues Funeral [Vinilo]

4.7 de un máximo de 5 estrellas 3 opiniones de clientes

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Descripción del producto

Descripción del producto

"Blues Funeral es el nuevo disco de Mark Lanegan, el primero que graba desde Bubblegum, de 2004.
El disco ha sido producido en Hollywood, California, por Alain Johannes en su 11ad studio. La instrumentación corre a cargo de Johannes y Jack Irons, con colaboraciones de Greg Dulli, Josh Homme y compañía.
Mark Lanegan ha cantado con Screaming Trees, Queens Of The Stone Age, Twilight Singers, Gutter Twins, Soulsavers e Isobel Campbell. Reside en Los Angeles y tiene dos perros.
A falta de pares contemporaneos, se hace necesario recurrir a los más grandes a la hora de entrar en comparaciones. En una de sus canciones más famosas, Leonard Cohen confesaba sentirse como si oyese a Hank Williams tosiendo unos cien pisos más arriba"". Con Blues Funeral, Lanegan se ha ganado su lugar en esa Torre de la Canción. Bienvenidos al Infierno"".
***** - MOJO Instant Classic"

Opinión

Lista de canciones:
Disco 1
1. The GravediggerÂ’s Song
2. Bleeding Muddy Water
3. Gray Goes Black
4. St. Louis Elegy
5. Riot In My House
6. Ode To Sad Disco
7. Phantasmagoria Blues
8. Quiver Syndrome
9. Harborview Hospital
10. Leviathan
11. Deep Black Vanishing Train
12. Tiny Grain Of Truth


Detalles del producto

  • Disco de vinilo
  • Número de discos: 2
  • Sello: 4AD.
  • ASIN: B006CC0Y0Q
  • Disponible también en: CD de audio  |  Música MP3
  • Valoración media de los clientes: 4.7 de un máximo de 5 estrellas  Ver todas las opiniones (3 opiniones de clientes)
  • Clasificación en los más vendidos de Amazon: nº22.606 en Música (Ver el Top 100 en Música)
  • Reproducir álbum como muestra (Muestra)
1
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3:43
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2
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6:17
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3
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4:10
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4
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4:33
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5
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3:53
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6
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6:23
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7
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3:16
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4:03
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4:31
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4:22
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3:06
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12
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7:07
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Opiniones de clientes

4.7 de un máximo de 5 estrellas
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Principales opiniones de clientes

Formato: Disco de vinilo
Mark Lanegan ha puesto en este disco algo del tiempo que pasó junto a los Soulsavers sobre todo en los toques electrónico, pero amigo, podría hacer un disco de canciones de tuna, que en cuanto abre la boca y sale esa voz, da igual que sea blues, electrónica, hard-rock... es una canción de Mark Lanegan.
Otro disco soberbio y van ya.... el listón está muy alto cuando se queda como cara B del single The gravedigger's song, la increible Burning Jacob's Ladder!!!
6 de 6 han opinado que lo encuentran útil. ¿Esta opinión te ha parecido útil? No Enviando comentario...
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Formato: Disco de vinilo Compra verificada
Si determinadas novelas llegaran a tener un sonido propio, una voz, seguramente querrían tener la voz de Mark Lanegan. Una voz que lo dice todo más allá de las palabras. Una voz que se ha curtido leyendo los capítulos menos gratos de una vida que no es otra que la suya .
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Formato: Disco de vinilo Compra verificada
No fué hasta después de conocer su obra como solista que un amigo me puso sobre la pista de Mark Lanegan como cantante y alma de los Screaming trees. Como vocalista es magnífico, pero sus composiciones son hipnóticas. Sin duda una gran obra. El tiempo le hará justicia.
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Opiniones de clientes más útiles en Amazon.com (beta)

21 de 21 personas piensan que la opinión es útil
HASH(0x99bbcea0) de un máximo de 5 estrellas Holy sweet hell...this is amazing... 8 de febrero de 2012
Por Greg Jarvis - Publicado en Amazon.com
Formato: CD de audio
...and I'm only once through it. I'll keep this short & sweet. If you're a fan of Lanegan/the Trees, you know who you are. IGNORE, repeat ignore, the apathetic Pitchfork review, or whatever other hipster nonsense you may stumble across on the fabled ol' interwebs. This is spectacular. It's like a culmination of everything Lanegan's ever done, kinda like Tom Waits' latest was like a run through of everything he'd ever tried all on one album. Blues Funeral has everything you loved from the Trees days, everything from Bubblegum, everything from Scraps...you get the picture. His voice, his ultimate instrument, gets richer with each passing year, and these songs really stick. They are instantly memorable, they pack a punch; they are, to quote a review of something I read years ago, I can't remember what, a case of instant-just-can't-get-enough. There's even some freaky 80's style new wave thrown in. It's Mark's most confident and intoxicating work in years; that's saying something indeed. If you're a fan, don't hesitate. Just dive in. You'll thank me for it.
14 de 16 personas piensan que la opinión es útil
HASH(0x99bbce64) de un máximo de 5 estrellas Another Brilliant Album From Mark 8 de febrero de 2012
Por B. Wilkie - Publicado en Amazon.com
Formato: CD de audio
With this album Mark Lanegan treads new ground, but the album is unmistakably a Mark Lanegan album. His trademark gorgeous voice is in top form, sounding better than ever, perhaps as a result from his quitting smoking. The vocals on "St. Louis Elegy" send chills down my spine every time I hear it. Lyrically the album covers familiar ground as well, with imagery of birds, flowers, and of course the usual coverage of dark subject matter and bleak mood you would expect from Mark. The newness of the album comes from the electronic instrumentation, which was featured but not predominant in Bubblegum, but is heavy on this album. I definitely see the influence of his time with the Soulsavers, so fans of that project should love this as well. But the album does not rely only on electronic sound; the blues is still there on songs like "Bleeding Muddy Water", "St. Louis Elegy" and "Phantasmagoria Blues", and "Riot In My House" and "Quiver Syndrome" rock as hard as "Sideways In Reverse" or "Driving Death Valley Blues" from Bubblegum. "Grey Goes Black" even seems reminiscent of the early Screaming Trees records. But heavily electronic songs like "Harborview Hospital", "Tiny Grain of Truth", and "Ode to Sad Disco" are equally as beautiful and addictive. All of these various sounds and influences flow seamlessly though, creating a cohesive album where each song is strong individually, but when listened all the way through in order it becomes something greater, like any great album should do. I'd say Mark's jump into new territory paid off, as this is a brilliant and beautiful album that I will be listening to non-stop for quite a while.
8 de 9 personas piensan que la opinión es útil
HASH(0x99bc07ec) de un máximo de 5 estrellas Triumphant return 7 de febrero de 2012
Por Luke - Publicado en Amazon.com
Formato: CD de audio
Blues Funeral is the first Mark Lanegan solo album since 2004's critically acclaimed Bubblegum. Despite a lengthy break Lanegan's prolific work rate has been in full force, with guest spots and collaborations with the likes of Queens of the Stone Age, Isobel Campbell, the Gutter Twins, Soulsavers and Bomb the Bass. Blues Funeral is an equally familiar and surprising evolution in Lanegan's remarkable, if still underappreciated solo career. Lanegan is in fine form and his vocals seem to get better with age; a rich, world-weary growl with stunning control and depth. His fruitful artistic endeavours are reflected throughout Blues Funeral, unearthing some of his most adventurous song-writing amidst an impressive cast of contributors. Guests include Jack Irons, Chris Goss, Greg Dulli and multi-instrumentalist and production wizard Alain Johannes who rubber stamps Lanegan's superb arrangements with warm, textured production.

The biggest surprise is the increased integration of electronic textures and synth-pop influence. This works particularly well on the mesmerising 'Ode to Sad Disco' and the darkly upbeat `Harborview Hospital'. Elsewhere Lanegan delves into more familiar territory on the brooding, bluesy balladry of `Phantasmagoria Blues' and the sublime `St Louis Elegy'. `Riot in my House' is a delightfully raucous rocker with an inspired guest appearance by guitarist Joshua Homme. `Quiver Syndrome' follows a similarly rockier path, while `Gray goes Black' is shady pop-rock brilliance. The varied instrumentation and rich dynamics are complimented by an inspired collection of genuinely memorable, engaging songs.

The gloomy atmosphere of Blues Funeral; and its accompanying lyrical bent of dark imagery, despair and regret is offset by a lilting sense of hope and redemption, maintaining a darker edge without sounding depressing or one-dimensional. Lanegan has created one of his most accomplished efforts; an album that transcends genres and trends, carving its own unique path of musical growth, artistic integrity and gritty resolve. Blues Funeral is destined to become a modern classic.
9 de 11 personas piensan que la opinión es útil
HASH(0x99bc06b4) de un máximo de 5 estrellas Mark Lanegan Band - The dark disco blues 8 de febrero de 2012
Por Red on Black - Publicado en Amazon.com
Formato: CD de audio
Mark Lanegan is the type of artist who couldn't be dull if he tried. From his days in the great unheralded Screaming Trees whose masterpiece "Dust" should be force fed our children in public schools through to collaborations with Isobel Campbell, Josh Homme and Greg Dulli he positively oozes class and has charisma to spare. His most potent weapon however is that borderline death yowl of a baritone which has survived a heavy drug dependency over the years and can tackle blues, hard rock and folk and make it sound effortless. It is a tremendous asset and it is on full display in this scintillating new album in which "shock horror" Lanegan tackles disco head on and succeeds with arrogant aplomb. It is Lanegan of course and the album is about as dark as Kazumura Cave without a flashlight containing much of his best work since god knows when.

It all quicks off with verve on the pounding blues of "The Gravediggers Song" with almost an Adam Ant style drum back beat and a brooding vocal so nasty that social services should be called. Throughout there are a range of cracking songs and the classic blues motif spread over the six minutes plus of "Bleeding Muddy Waters" is one of those. "St Louis Elegy" is a beautifully dark beast with a feast of ferocious imagery while that is clearly a Visage style disco beat lurking inthe backdrop of the excellent "Grey goes black". As you can tell it really is difficult to single out any songs for special praise since there is strength in depth here and taken as a whole set Lanegan barely puts a foot wrong. "Riot in my house" for example echoes the best rocking preoccupations of the Screaming Trees and what higher recommendation do you need? One of the longest tracks here "Ode to a Sad Disco" could be profitably covered by Donna Summer and it would be equally great, it has that sort of pounding synth electronica combined with high melody which New Order once patented. At over six minutes it passes at great speed and shows an artist prepared to take risks and not so much rest on his laurels as burn them. By the time the standout long concluding track "Tiny grain of truth" ends the album in a mix of first class acoustic blues and concludes in a wave of synths you know you have been on one of the more interesting musical journeys on a "Deep Black Vanishing Train" in quite a long time and you have thankful that Lanegan picked you up at the station. Add to this that in songs like the "Quiver Syndrome" he displays a ear for melody which would take any other artist in the direction of the album chart top ten and squat there for age.

There is enough musical variety in "Blues Funeral" to stage the album in the Radio City Music Hall. It is gritty, exciting, threatening and shows this great singer on top of his game. This is an album that grabs you by the collars on your first listen and eyeballs you to ensure your full attention. It is time well spent for this album deserves tractor loads of praise and a generous potion of hyperbole. How many singers do you know who can can away with a line like "if tears were liquor/I'd have drunk myself sick" and yet you know that he sings this with the raw honesty of a man who has ridden the emotional and chemical roller coaster yet emerged the other side all the better a musician for it. The musical stakes are raised for 2012.
2 de 2 personas piensan que la opinión es útil
HASH(0x99bc00fc) de un máximo de 5 estrellas Blood......and Death......Mark Lanegan 25 de abril de 2012
Por Keene - Publicado en Amazon.com
Formato: CD de audio Compra verificada
This is a very good Lanegan recording. One of his best. He's dealing with big subjects here and that's what I like. The philosophical, religious and spiritual elements of this recording are what appeals to me. The dark, haunting quality of his voice has always served him well. He's done many collaborations over the years and most of them are very good. Especially with Isobel Campbell. Those with her are among my favorites. This album has a "bigger" sound than his other work, however. Some of this really rocks. Some of it's somber.

I love the lyrics and the way he puts himself into the songs in a masculine bluesy fashion. Most of the "death metal " groups that deal with the same subject matter have weak vocalists compared to Lanegan. I dig it....and I know that many people may find it depressing but I find it life affirming. The theme of blood, death and loss are true to the facts. That's the way it is.....this album and this kind of music makes me appreciate life and my loved ones all the more....like going to the blue church. As mentioned by other reviewers here, the music supporting Lanegan's singing is just terrific. It's different from his other solo work and the more I listen to it the more I like it. Very talented group of musicians. The funeral arrangement on the cover is a very nice touch.

The album "Broken" by the Soulsavers with Lanegan on most of the lead vocals is another gem, if you like this one. Check it out...

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