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Amazon.com: 36 opiniones
31 de 31 personas piensan que la opinión es útil
One of the most emotional soundtracks in history! 2 de febrero de 1999
Por Patrick Prevenas - Publicado en Amazon.com
Formato: CD de audio
Alan Silvestri's beautiful score for "Contact" moves me to tears every time I listen to it... as a deep believer in the existence of life beyond the Earth, "Contact" stirs emotions and ideas within me that no other film does, and Silvestri's score is the perfect accompaniment to those emotions and ideas! Where most film composers might have chosen to utilize a more bombastic orchestral score for certain parts of the movie, Silvestri instead takes an unexpected tug at your heart by using a few light piano notes, and the effect is magical. For its emotional content alone, "Contact" is easily one of the best soundtracks I have ever bought, and is also a beautiful tribute to the memory of Carl Sagan and his limitless sense of wonder about the universe.
5 de 5 personas piensan que la opinión es útil
Subtle, moving score 24 de septiembre de 2005
Por Eight-Squared Squares - Publicado en Amazon.com
Formato: CD de audio
Silvestri's score for Contact is an understated, introspective meditation on the primary themes of the eponymous film. Silvestri's music lacks the grand aural declamations of a John Williams' soundtrack, but his approach is in this case equally effective and entirely appropriate. The brief but poignant statement of the main theme in track one sets the tone for the succeeding movements. Track 2 is frenetic and thrilling, while track 3 conveys a sense of mystery and suspense. Tracks 9-13 should really be listened to in one setting in order to experience the full emotional impact. Overall, the lush strings and the evocative musical themes fully won over this reviewer! The last scene of the movie alludes to William Blake's immortal words, which I think best sum up both the film and the sountrack: "To see a world in a grain of sand // and a heaven in a wildflower, // hold infinity in the palm of your hand, // and eternity in an hour..."
8 de 9 personas piensan que la opinión es útil
A Piece of Work Taken for Granted 20 de agosto de 1999
Por Un cliente - Publicado en Amazon.com
Formato: CD de audio
After watching the movie Contact and then listening to the soundtrack, I was delighted to hear just how much the music added to the entire film. Contact, which spoke to contact on so many levels from father-daughter, science-religion, man-woman, terrestrial-extraterrestrial, also spoke to the new contact between film and music. The soundtrack was as essential to the complete enjoyment of the movie as was the acting of Jodie Foster or the plot by Carl Sagan.
Definitely a must for any Contact lover.
4 de 4 personas piensan que la opinión es útil
Establish contact with this score 2 de marzo de 2003
Por Brandon Cutro - Publicado en Amazon.com
Formato: CD de audio
The main theme from Contact is very similar to what Silvestri came up with for Forrest Gump. It is a very light, gorgeous, and meaningful melody played on piano and strings found in several tracks. "The Primer" begins tense and finishes with a powerful statement of the main theme. A tiny bit of action music is found in this score. "Ellie's Bogey" contains rapid string rhythms played in an exciting fashion. "Good to Go" is a typical Silvestri action cue with lots of strings characteristic percussion. The rest of the music is calm, laid back, and atmospheric in nature with mainly strings and a piano carrying most of the melody. "Contact - End Credits" is an 8 minute suite of the main theme played in a wonderful fashion to finish off the score. If you like Silvestri and/or the score to Forrest Gump, then this will be a thrill to you. Great music!
4 de 4 personas piensan que la opinión es útil
Spirit of Adventure 4 de septiembre de 1999
Por Un cliente - Publicado en Amazon.com
Formato: CD de audio
The first 30 seconds of this soundtrack are its best. They help illustrate the unknown, vastness of space, the bonds which tie humans to one another, and our sense of adventure. "Good To Go" is one of the most exciting and dramatic scoreing works in years. This is a must have. I also recommend the coundtracks to 2001, 2010, Baraka, and Tron.

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