Ruth Galloway, a forensic archaeologist with a special interest in bones, teaches postgraduates at the University of North Norfolk and participates in the occasional dig. She lives with her cat in England's wild, desolate, and beautiful Saltmarsh, but will not be alone for long. She is three months pregnant and plans to keep the baby, even though it will mean raising her son or daughter as a single parent.
In "The Janus Stone," by Elly Griffiths, Ruth is preparing for the end of the school term and spending time with a fellow archaeologist, Dr. Max Grey, an expert on Roman Britain. As Grey informs Ruth and her friend, Detective Chief Inspector Harry Nelson, "the Celts and the Romans sometimes used to bury bodies under walls and doors as offerings to the Gods Janus and Terminus." Ruth is called in when the headless skeleton of child is discovered on the site of a luxury apartment complex that is under construction. The body was buried "right under the main doorway." Ruth carefully retrieves and examines the bones, and DCI Nelson of the Serious Crimes Unit takes charge of what will turn out to be a complex and troubling homicide investigation. One individual who may have important information to impart is Father Patrick Hennessey, a retired priest and ex-principal of the Sacred Heart Children's Home, which once stood on the grounds where the small skeleton was found. Once again, Nelson and Ruth will discover that "disturbing the dead [and] meddling with the past" can lead to unforeseen consequences.
Ruth is an immensely appealing protagonist who is unpretentious, resigned to being overweight ("she's never going to look good in a bikini"), highly intelligent, and extremely independent. She has offbeat friends, including a Druid, Cathbad, who sometimes wears a robe and flowing purple cloak, and a flaky university lecturer named Shona, a beautiful woman with a weakness for married men. Ruth is a bit of an amateur detective; she cannot resist the lure of an intriguing case. However, when an anonymous perpetrator threatens her repeatedly, Ruth must decide whether it is time to back off for her own safety.
As in "The Crossing Places," the author depicts her characters skillfully. The dialogue is sharp and witty and the narrative is fast-paced and involving. Griffiths creates evocative settings and provides enough red herrings to keep us guessing. The story's sole weakness is its melodramatic and far-fetched conclusion, during which the psychopath's identity is revealed and a terrified Ruth struggles to keep her wits about her. Aside from this quibble, "The Janus Stone" is an entertaining blend of romance, mythology, mystery, and psychological suspense. Fortunately for Ruth Galloway fans, Elly Griffiths is talented enough to keep her plucky heroine knee-deep in engrossing dilemmas for some time to come.