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A Tale of Two Cities (Collector's Library) (Inglés) Tapa dura – 1 sep 2003

4.5 de un máximo de 5 estrellas 2 opiniones de clientes

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Reseña del editor

A Tale of Two Cities is one of Dickens's most exciting books, set against the backdrop of the French revolution, in which two generations struggle against the injustices of first a corrupt aristocracy and then the mindless rule of the mob.

Illustrated by H K Browne 'Phiz', with an Afterword by Sam Gilpin.

Biografía del autor

Charles Dickens was born in 1812 near Portsmouth, where his father worked as a clerk. Living in London in 1824, Dickens was sent by his family to work in a blacking-warehouse, and his father was arrested and imprisoned for debt. Fortunes improved and Dickens returned to school, eventually becoming a parliamentary reporter. His first piece of fiction was published by a magazine in December 1832, and by 1836 he had begun his first novel, The Pickwick Papers. He focused his career on writing, completing fourteen highly successful novels, as well as penning journalism, shorter fiction and travel books. He died in 1870.

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Detalles del producto

  • Tapa dura: 520 páginas
  • Editor: Macmillan Collector's Library; Edición: Main Market Ed. (1 de septiembre de 2003)
  • Colección: Collector's Library
  • Idioma: Inglés
  • ISBN-10: 1904633064
  • ISBN-13: 978-1904633068
  • Valoración media de los clientes: 4.5 de un máximo de 5 estrellas  Ver todas las opiniones (2 opiniones de clientes)
  • Clasificación en los más vendidos de Amazon: nº114.511 en Libros en idiomas extranjeros (Ver el Top 100 en Libros en idiomas extranjeros)

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Formato: CD de audio Compra verificada
Excelente versiòn. Esta grabacciòn me fue recomendada en la EOI de Madrid para mejorar los listening . Excelente relaciòn calidad-precio.
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El precio es inmejorable y el tamaño es el de un libro de edición de bolsillo. Lo recomiendo sin duda.
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Opiniones de clientes más útiles en Amazon.com (beta)

700 de 747 personas piensan que la opinión es útil
HASH(0xb58a321c) de un máximo de 5 estrellas An Eighth Grader reviews A Tale of Two Cities 29 de junio de 2000
Por Un cliente - Publicado en Amazon.com
Formato: Libro de bolsillo
This book is incredible. I read it last year (in eighth grade), and I love it. I love Charles Dickens' language and style. Whoever is reading this may have little or no respect for my opinions, thinking that I am to young to comprehend the greatness of the plot and language, and I admit that I probably do not completely appreciate this classic piece of literature. I do read above a 12th grade level, although that doesn't count for a whole lot. It took me a while to get into this book. In fact, I dreaded reading it for a long time. But nearer to the end, I was drawn in by the poignant figure of a jackal, Sydney Carton. In his story I became enthralled with this book, especially his pitiful life. After I read and cried at Carton's transformation from an ignoble jackal to the noblest of persons, I was able to look back over the parts of the book that I had not appreciated, and realize how truly awesome they are. I learned to appreciate all of the characters, from Lucy Manette to Madame Defarge. I also was affected by all of the symbolism involved with both the French Revolution, and the nature of sinful man, no matter what the time or place. My pitiful review could never do justice to this great book, please don't be discouraged by my inability.
229 de 249 personas piensan que la opinión es útil
HASH(0xb58a35e8) de un máximo de 5 estrellas A Tale of Two Cities 27 de julio de 2001
Por mp - Publicado en Amazon.com
Formato: Tapa blanda
The more Dickens I read, the more impressed I become at his skill as a writer. No matter the form, be it short, long, or a monolith like some of his best works, Dickens excels at changing his style of characterization and plot to fit whatever mode he writes in. "A Tale of Two Cities" is one of his shorter novels, and he manages to make the most of out of the allotted space. The compression of the narrative sacrifices Dickens's accustomed character development for plot and overall effect, but what we get is still phenomenal.
"A Tale of Two Cities" begins in 1775, with Mr. Lorry, a respectable London banker, meeting Lucie Manette in Paris, where they recover Lucie's father, a doctor, and mentally enfeebled by an unjust and prolonged imprisonment in the Bastille. This assemblage, on their journey back to England, meets Charles Darnay, an immigrant to England from France who makes frequent trips between London and Paris. Upon their return to England, Darnay finds himself on trial for spying for France and in league with American revolutionaries. His attorney, Stryver, and Stryver's obviously intelligent, if morally corrupt and debauched, assistant, Sydney Carton, manage to get Darnay exonerated of the charges against him. Darnay, a self-exiled former French aristocrat, finds himself compelled to return to France in the wake of the French Revolution, drawing all those around him into a dangerous scene.
Dickens portrays the French Revolution simplistically, but powerfully, as a case of downtrodden peasants exacting a harsh revenge against an uncaring aristocratic, even feudal, system. The Defarge's, a wine merchant and his wife, represent the interests of the lower classes, clouded by hatred after generations of misuse. Darnay, affiliated by birth with the French aristocracy, is torn between sympathy for his native country in its suffering, and his desire to be free of his past.
"A Tale of Two Cities" is a novel driven by historical circumstance and plot, much like the works of Sir Walter Scott, wherein the characters themselves assert less agency, finding themselves forced to deal with the tide of epic events. Richard Maxwell's introduction to this newest Penguin edition does a good job outlining the themes of doubling and literary influence that Dickens works with. One specific influence I discerned in reading "A Tale" that Maxwell doesn't metion is Edmund Burke's "Reflections on the Revolution in France," which if nothing else, gives the feeling that the rampant violence of the early revolution and the later Reign of Terror has brought about an irreversible change in human nature. While Dickens remains cautiously optimistic throughout the novel that France can recover, the tone of the novel speaks to the regression of humanity into a more feral, primal state, rather than advertise any real hope for its enlightened progress.
Despite the supposed dichotomy between England and France in the novel, Dickens seems to suggest throughout that there are no real differences, due to the way that human nature is consistently portrayed. With England in between two revolutions, American and French, Lucie's sensitivity early in the novel to hearing the "echoing" footsteps of unseen multitudes indicates a palpable fear that the "idyllic" or "pastoral" England he tries to portray is not exempt from the social discontent of America or France. In this light, stolid English characters like Miss Pross, Jerry Cruncher, and Jarvis Lorry appear to almost overcompensate in their loyalty to British royalty. In a novel that deals with death, religion, mental illness, I could go on and on for a week, but I won't. One of those novels whose famous first and last lines are fixed in the minds of people who've never even read it, "A Tale of Two Cities" demands to be read and admired.
147 de 159 personas piensan que la opinión es útil
HASH(0xb58a39fc) de un máximo de 5 estrellas It is the best of books, it is the worst of books.... 11 de mayo de 2006
Por Newton Ooi - Publicado en Amazon.com
Formato: Tapa blanda
I was first introduced to this book when I was 14 years old in my 8th grade English class. I found it utterly overwhelming; in its cast, its plotlines, its settings, its themes and most of all, in the intricate web the various relationships create. I only understood three things about this book. First, the two cities are London and Paris. Second, France was convulsing itself with the French Revolution while England was undergoing changes that would prepare it to enter the Industrial Revolution. Third, English in Dickens' time did not resemble English at the end of the 20th century, but somehow seemed similar to the English used in Hollywood epic movies from the 1950s and 1960s like Spartacus, Ben-hur, the Ten Commandments, Cleopatra, etc...

Years later, I picked up this book and reread it. I considered this a labor, not of love, but of duty. This book is so famous and used so often in English literature classes that I felt I had to read it again for a deeper understanding. What I got from this book a 2nd time around is a profoundly subtle yet accurate sociological and psychological study of what happens to a society and a community that is built on shaky foundations. Specifically, France was an aristocracy where a tiny minority owned all the land. The rest of society was organized into tiers that varied in their opportunities of becoming landowners. Because of this pyramid structure, most of the people hewed to the social order knowing that yes they get crapped on by those above them, but there's always somebody below them to take advantage of.

Eventually this social Ponzi scheme comes to a screeching halt with the French Revolution. Enough people have had enough that they decide to start over. In the process a lot of people get killed and a lot of property changes hands. So woven into this story of a society's collapse are individual tales of woe, revenge, sacrifice, retribution, love and lust. Some are wrongly imprisoned or executed, while others willingly trade places to free those who have been marked for punishment. Families are torn asunder, and friendships are made and betrayed.

Overall, this book is a classic; though not appropriate for anyone not in their mid-teens yet. Its careful depiction of a society warrants its reading for those interested in 18th century Western history. But it should be read with notes and study guides for its depth and complexity can easily lose the interest and focus of many readers.
141 de 153 personas piensan que la opinión es útil
HASH(0xb58a3c18) de un máximo de 5 estrellas Turbulent times in London and Paris 27 de abril de 2005
Por Peter Reeve - Publicado en Amazon.com
Formato: Tapa blanda
The period from 1775 - the outbreak of the American Revolution - to 1789 - the storming of the Bastille - is the turbulent setting of this uncharacteristic Dickens novel. It is his only novel that lacks comic relief, is one of only two that are not set in nineteenth-century England and is also unusual in lacking a primary central character. London and Paris are the real protagonists in this tale, much as the cathedral was the 'hero' of Hugo's Notre Dame de Paris. Dickens was writing at a time of great turmoil in his personal life, having just separated from his wife, and no doubt the revolutionary theme was in tune with his mental state.

The result is a complex, involving plot with some of the best narrative writing to be found anywhere, and the recreation of revolutionary Paris is very convincing. The device of having two characters that look identical may seem hackneyed to modern readers, but it is here employed with greater plausibility than in Twain's Pudd'nhead Wilson or Collins's The Woman in White.

Dickens was inspired to write this story by reading Carlyle's newly published history of the French Revolution. Those events and their aftermath stood in relation to their time much as World Wars I and II do to ours, that is, fading from living memory into history, yet their legacy still very much with us. In many nineteenth-century novels, especially Russian and British works, you get a sense of unease among the aristocracy that the revolution will spread to their own back yard. In the case of Russia, of course, it eventually did.

I have often recommended A Tale of Two Cities as a good introduction to Dickens for younger readers. This is based on my own experiences, because it was a set book in my English Literature class when I was 15 and I remember thoroughly enjoying it. Yes, it is challenging, with its somewhat archaic language and its slow development, but you cannot progress to an enjoyment of great literature without being challenged.
32 de 33 personas piensan que la opinión es útil
HASH(0xb58a3aec) de un máximo de 5 estrellas Awesome - my favorite Dicken's novel! 12 de diciembre de 2006
Por Patrick D. Goonan - Publicado en Amazon.com
Formato: Tapa blanda
I like all of Dicken's work because of his ability to bring a place and period to life as well as his gift for creating round characters that seem like real people you can reach out and touch. This novel certainly represents these qualities, but has a dark quality with no type of comic relief. It is intense and it captures the psychological and emotional climate of the the French revolution in a visceral way.

This novel which parallels the rise of the French revolution, compares and contrasts life in two cities Paris and London. It also develops a very intricate plot that is difficult to follow if one does not read steadily. In other words, it's not a light plot that you can set down for a few days and pick back up. On the other hand, it's extremely engaging and you won't want to put it down.

When I read it, I actually bought the Cliff's notes because I needed to set the book down for a few days at a time. When I picked it up again, I found the Cliff's notes useful to help me engage again without a lot of looking back through the book for all the twists and turns in the plot and lives of the characters.

This is a great novel in every respect, but it is not a happy one. It captures the harsh reality of the French Revolution in deep way. If you are studying the French Revolution, I would say it's a must read to truly get the spirit of what was going on. I don't believe history books can do it justice, you need the inside view which this provides.

Lastly, if you are simply enjoy a good story, you will like this. Don't expect a "everyone lived happily ever" type ending, however. This is heavy stuff, almost in the spirit of a Russian existentialist novel.

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