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The Phantom Of The Opera CD, Grabación original remasterizada, Banda sonora

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Lista de canciones:
1. Prologue (The Stage Of Paris Opera House, 1905)
2. Overture - Original London Cast
3. Think Of Me - Sarah Brightman, Steve Barton
4. Angel Of Music
5. Little Lotte.../ The Mirror... (Angel Music)
6. The Phantom Of The Opera
7. The Music Of The Night
8. I Remember.../Stranger Than You Dream It...
9. Magical Lasso...
10. Notes/Prima Donna
11. Poor Fool, He Makes Me Laugh
12. Why Have You Brought Me Here
13. All I Ask Of You
14. All I Ask Of You (Reprise)

Disco 2
1. Entr'acte (Act Two - Six Months Later)
2. Masquerade / Why So Silent - Original London Cast
3. Notes.../Twisted Every Way
4. Wishing You Were Somehow Here Again
5. Wandering Child../Bravo, Monsieur
6. The Point Of No Return
7. Down Once More.../Track Down This Murderer...

Detalles del producto

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Las canciones de este álbum están disponibles para comprar como MP3. Haz clic en "Comprar MP3" o ver el álbum en MP3.

Título de canciónArtista Duración Precio
  1. Prologue (The Stage Of Paris Opéra House, 1905)Original London Cast 1:56EUR 0,99  Comprar canción 
  2. OvertureOriginal London Cast 3:05EUR 0,99  Comprar canción 
  3. Think Of MeSarah Brightman & Steve Barton 4:09EUR 1,29  Comprar canción 
  4. Angel Of MusicPhantom Of The Opera Original London Cast 2:20EUR 1,29  Comprar canción 
  5. Little Lotte .../The Mirror ... (Angel Music)Original London Cast 2:48EUR 0,99  Comprar canción 
  6. The Phantom Of The OperaOriginal London Cast 5:02EUR 1,29  Comprar canción 
  7. The Music Of The NightOriginal London Cast 5:41EUR 0,99  Comprar canción 
  8. I Remember .../Stranger Than You Dream It ...Original London Cast 3:21EUR 0,99  Comprar canción 
  9. Magical LassoOriginal London Cast0:59EUR 0,99  Comprar canción 
10. Notes .../Prima DonnaOriginal London Cast10:56Sólo álbum
11. Poor Fool, He Makes Me LaughOriginal London Cast 3:04EUR 0,99  Comprar canción 
12. Why Have You Brought Me HereOriginal London Cast 3:11EUR 0,99  Comprar canción 
13. All I Ask Of YouOriginal London Cast 4:14EUR 0,99  Comprar canción 
14. All I Ask Of You (Reprise)Original London Cast 3:23EUR 0,99  Comprar canción 

Título de canciónArtista Duración Precio
  1. Entr'Acte (Act Two - Six Months Later)Original London Cast 3:03EUR 0,99  Comprar canción 
  2. Masquerade / Why So SilentOriginal London Cast 6:24EUR 1,29  Comprar canción 
  3. Notes .../Twisted Every WayOriginal London Cast 9:41EUR 0,99  Comprar canción 
  4. Wishing You Were Somehow Here AgainOriginal London Cast 3:30EUR 0,99  Comprar canción 
  5. Wandering Child .../Bravo, Monsieur ...Original London Cast 6:24EUR 0,99  Comprar canción 
  6. The Point Of No ReturnOriginal London Cast 5:33EUR 0,99  Comprar canción 
  7. Down Once More .../Track Down This Murderer ...Phantom Of The Opera Original London Cast11:55Sólo álbum

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Amazon.com: 693 opiniones
211 de 234 personas piensan que la opinión es útil
A Rich Combination of Power and Passion 24 de abril de 2000
Por RJStuart - Publicado en Amazon.com
Formato: CD de audio
When I first heard the music from 'The Phantom of the Opera' 8yrs ago, almost instantly, a surge of emotion and inspiration tingled up my spine and I was in awe of the brilliance of Andrew Lloyd Webber, Charles Strouse, and Richard Stilgoe. The composer, Lloyd Webber, has simply out done himself in this album, more so than in any of his other fantastic musicals. Not only did he choose a fascinatingly mysterious story to create his operatic musical, but his music is so powerful and so stirring for the listener, that they become part of the action in the musical. The lyrics, written by Charles Strouse and Richard Stilgoe, are brilliantly descriptive which creates rich imagery for the listeners. With the combination of both Lloyd Webber's compelling music and the lyricists' words, 'The Phantom of the Opera' is infallable. 'The Phantom of the Opera' consists of a number of songs which would appeal to listeners. The title song, "The Phantom of the Opera", involves the two leading characters, the Phantom and Christine, singing of how the former is incessantly in the mind of the latter. As this song contains rock and opera it would appeal to a wider variety of listeners. "The Music of the Night", one of Lloyd Webber's greatest pieces of music, is one of the most descriptive songs I have ever heard. A soft and haunting tune, this song's lyrics evoke fantastic description for listeners, and create a tension yet a resolution; and is in fact rather paradoxical, but amazing to listen to, as it is powerfully beautiful. "All I Ask of You" is one of the few positive songs in the album, which reveals the strong love between the main female character, Christine, and another central character, Raoul. This song has a touch of opera but is more of a 'musical' type song. Once again the lyrics are superb, involving passionate description. "Wishing You Were Somehow Here Again", is a very stirring song on this album, as it is set in a graveyard. Christine creates a sense of sadness as she sings of how she misses her father, and the listeners are coerced into pitying her situation. Lloyd Webber's music is powerfully emotive and the lyrics are passionate, and thus appeals to the listener's own emotions. "Past the Point of No Return" is another haunting song in this album. When the Phantom sings it, with Christine, he is disguised as another character and he is actually performing to an audience on the stage. This song reveals the situation to the listeners, Christine is past the point of no return, she cannot turn back and must stay with the Phantom all of her life in his dark 'dungeon' below the opera house. The music and the lyrics are both emotive and stirring. The last scene is full of action and resolutions. However, the album leaves the listeners with a mystery, as the Phantom dissapears and leaves nothing but his mask. Yet, the last scene brings my favourite part of music in the whole album, which is when Raoul and the Phantom are singing together; The Phantom: "For either way you choose, you cannot win"; Raoul: "Either way you choose, he has to win." The harmony and the power created when these lines are sung are just outstanding and emotionally stirring. On every other 'Phantom' album I have heard I have not heard it sung nearly as well. Portraying a deformed, violent, obsessive murderer, yet passionate in music and Christine, Michael Crawford had a challenging task ahead of him when he was playing the Phantom. Yet, out of every Phantom I have heard, he is the greatest. Indeed he is not as emotional as Colm Wilkinson (who breathes too much in his portrayal), but he portrays the Phantom graciously and smoothly; Crawford has a massive lung capacity, as he holds onto notes for large amounts of time. The songs in the Phantom do not call for an abrupt and loud voice, as Colm uses in the "Original Canadian Cast" version, but a compellingly soft and smooth voice in which Crawford uses in this album. In fact, I believe Crawford uses fantastic emotions to depict the Phantom, such as when he is singing "I gave you my Music..." at the end of the first disk; the emotions Crawford uses are not over the top, but they are just right, and in my opinion, no one has matched Crawford's unique ability to portray the Phantom yet. Sarah Brightman, out of every other 'Phantom' I have heard, depicts Christine far greater than anyone else. Her voice is very clear and high-pitched and no one else seems to be able to compare. Steve Barton's Raoul is very good, although his voice is not very powerful, he is still very emotive. Overall, "The Phantom of the Opera" 1986 Original London Cast, is by far the greatest album to buy out of all of the other albums. The cast is the best I've heard and the music and the lyrics are awe-inspiring. I have one complaint, though; I would have loved the album to be complete. However, Andrew Lloyd Webber is a genius and with his lyricists has immortalised Gaston Leroux's early twentieth century gothic novel.
67 de 76 personas piensan que la opinión es útil
"The best musical ever made." 20 de julio de 2003
Por Un cliente - Publicado en Amazon.com
Formato: CD de audio
"The Phantom of the Opera" is simply the best musical ever made. Sure, it has quite a bit of material lifted from Italian opera, but as an opera fan, I can appreciate that, and it enhances the score. No other musical equals this musically...from the complicated harmonies of "Notes" and "Wandering Child" to the vocally stunning "Phantom of the Opera" and "Music of the Night." The lyrics are beautiful, the story simultaneously eerie, mysterious, touching, and deep. The only musical that comes close is Leonard Bernstein's "West Side Story." Neither Lord Lloyd Webber, Michael Crawford, nor Sarah Brightman have ever equaled their work here. It is a "love it or hate it" musical, definitely, but any lover of romance, mystery and great music will appreciate this show.
The original cast was also probably the greatest musical cast ever put together in one place. Michael Crawford and Sarah Brightman give the performances of their lifetimes...and ours. They have real, legitimate voices, not those awful Streisand/Minelli belts that cover Broadway today. While both are flawed performers in general, each found their best role in this show.
As for Crawford, he is the definitive Phantom. No one else's dramatic interpretation is anywhere close to his. He did it first, and he did it best. His beautiful tenor voice just takes the material and soars with it...from the eerie "Wandering Child" to the powerful title song to the seductive and incomparable "Music of the Night." Anyone who doesn't weep at the heartbreaking finale ("It's over now, the music of the night...") must have a heart of a stone, or a Broadway critic. Michael Crawford is the Phantom, and that is all there is to it. I have never seen anyone become a role the way he did in this show.
Sarah Brightman is not quite as good, but she is still vocally the best Christine. This material was unmistakably written for her, and her clear, bright, silvery soprano and enormous range makes every note dramatic and perfect. While some say her voice is too thin and weak for opera and pop, her current musical directions, her voice manages to fly above the music here without being overpowered. Since Christine's role does not require much dramatic range, her limited acting skills don't hamper the material, and she manages to make her one solo character song, "Wishing You Were Somehow Here Again," sufficiently poignant, even though it is musically the weakest song in the show.
The supporting cast is mainly strong, and any weakness here comes more from underwritten roles than lack of skill. Meg is always cast to make Christine sound good, so her voice must be a little weak. Raoul is such a boring, one-dimensional character that no actor, no matter how talented, can do much with the role. That aside, Steve Barton has a rich, gentle, and satisfying baritone that sounds good in his duets with Christine. Rosemary Ashe's Carlotta is actually cast for her own merits in this older CD, not to make Christine look good, as in the current Broadway produciton...she has by far a good enough voice to be a believable opera diva, and she has good comic timing.
I was shocked that Amazon critics, who gave favorable reviews to "Hairspray" and "Annie" of all musicals, felt the need to demean this beautiful show, definitely Lloyd Webber's best effort. Just goes to show how much quality Broadway has lost since the start of shows like "Phantom of the Opera" and "Les Miserables." Go with the customer reviews and buy the full version, not the highlights. It's worth it. Trust me.
20 de 20 personas piensan que la opinión es útil
AMAZING! Thank you AMAZON! 10 de agosto de 2006
Un comentario de un niño - Publicado en Amazon.com
Formato: CD de audio
This CD set just blows me away. It even has stage directions in the liner notes, and PHANTASTIC (:-) ) pictures. The sounds you hear is like watching the performance with your eyes closed. I LOVE IT! If you want a phantom CD, get this one first. I got the highlights first, but it didn't have the lyrics, but this one does. So, i HIGHLY reccomend this CD. :-) Hope this helps!
13 de 13 personas piensan que la opinión es útil
"I gave you my music..." 11 de febrero de 2005
Por Bivens2 - Publicado en Amazon.com
Formato: CD de audio
"The phantom may have been ugly, but listening to this disc, you would think he's prettier than Christine."

That's one of the main points of the music, D. Hu. I'll excuse your ignorance assuming that you had only gotten into the phantom because of the movie, but the Phantom's voice should be the greatest voice...not gruff.

First of all, Crawford's voice is not girly...he's a true tenor. Not only is that not girly at all, singing true tenor at his level is a rarity among singers. Next, the character of the phantom is all about "beauty on the inside" regardless of how the outside appears. Crawford's Phantom's hideous face yet gorgeous voice makes a perfect balance. The character of the Phantom was a musical genious, however he was shunned because of his looks...not because his voice was rough.

This recording is the greatest. The characters are cast for who ALW intended them to be. Webber didn't want colm wilkinson or whoever as the Phantom, he wanted Crawford, and Crawford shined. His music of the night reprisal at the end of disk one, and his masquerade reprisal at the end of disk two both bring tears to the eyes of anyone with an ear for music or a heart for love. Steve Barton should have gotten more songs. His voice in "All I Ask of You," "Down Once More," and even his short stint in "Think of me" was soft and soothing. Brightman? All I can say is: High E...amazing...

Now on to the two best songs, in the order that they appeared.

"Music of the Night"

Perhaps the most haunting tune i've ever heard, this song showcases Crawford's beautiful voice and amazing emotion with amazing lyrics.

"Down One More/Track Down This Murderer"

The stunning conclusion to the show is an astonishing achievement for not only Crawford, Brightman, and Barton, but for Lloyd Webber himself. The singing is superb, the lyrics inspired, and the emotion free-flowing.

All in all, this recording gets a 5/5, setting the standard for all other recordings to aim for. The only downfall is that the Original London Cast sets the bar so high, no other recording can reach it.
19 de 21 personas piensan que la opinión es útil
The most romantic version of the many "Phantoms" 7 de diciembre de 2001
Por Lawrance Bernabo - Publicado en Amazon.com
Formato: CD de audio
"The Phantom of the Opera" is not a perfect musical, although the only serious flaw turns out to be the "title" song. Written first, the song "The Phantom of the Opera" was a rock tune with a music video designed to get investors excited about the in progress Andrew Lloyd Webber musical extravaganza. By the time the show was finished, the rock opera idea was abandoned in favor of something decidedly more operatic. I always thought one of the reasons "Phantom" was so great was that Lloyd Webber lifted the best songs from the other show he was working on, "Aspects of Love." I had the opportunity to see Michael Crawford perform the role in Los Angeles, and it is sad to think that he will join the long list of legendary Broadway performers who were replaced when the musical was turned into a Hollywood movie (think of Richard Kiley replaced by Peter O'Toole in "Man of La Mancha" to know how bad such things can get in this world). Enough has been said about the music, from the thundering organ of the Phantom's "theme" to the diminishing minor chords at the end of "The Music of the Night," but I think more credit needs to go to Richard Stilgoe and Lloyd Webber for the Book. There have been numerous versions of the Gaston Leroux novel, but Stilgoe and Lloyd Webber manage to turn it into a tragic romance. In the original novel Christine breaks the hold of Eric the Phantom by kissing him on the forehead, a small act of tenderness that is beyond anything he has ever known in his tortured life. This musical version of "Phantom" ups the ante considerably. My biggest complaint against the original CD edition of this musical, besides the fact that each disc was a single track, was the lack of a libretto, because it was not until I could get my hands of one and find out what was happening in the climatic scene near the end of Act II where the Phantom demands Christine choose between loving him or death for Raoul that I understood the stories of people leaving the theater weeping. This dramatic ending is set up perfectly in the first act when Christine unmasks the Phantom as he plays his organ. This scene has been famous ever since the Lon Chaney silent version, but they play it differently here. The audience does not see the Phantom's scarred visage at this point, only Christine, who cannot help but be touched by the pain in his voice. When she gives him back his mask, that is when this "Phantom" becomes an epic romance about a most horribly doomed love triangle. Finally, I want to add that one of my favorite little musical bits in the brief trio between the Phantom, Christine and Raoul in the "Wandering Child" segment, especially since it was reduced to a duo in the production I saw. I fully understand that is a hot/cold musical when it comes to personal tastes and since seeing it on stage was everything I dreamed it could be (I pretty much cried throughout the entire thing), I would have to admit to running hot in favor of this one.