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The World of Yesterday (English Edition) [Versión Kindle]

Stefan Zweig , B. W. Huebsch , Helmut Ripperger

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Críticas

""The World of Yesterday" is one of the greatest memoirs of the twentieth century, as perfect in its evocation of the world Zweig loved as it is in its portrayal of how that world was destroyed."--David Hare, award-winning playwright and director of film and theater--David Hare

Descripción del producto

The World of Yesterday, mailed to his publisher a few days before Stefan Zweig took his life in 1942, has become a classic of the memoir genre. Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.

Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.

“The best single memoir of Old Vienna by any of the city’s native artists.” — Clive James

“A book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942.” — The Guardian

“It is not so much a memoir of a life as it is the memento of an age.” — The New Republic

Detalles del producto

  • Formato: Versión Kindle
  • Tamaño del archivo: 2542 KB
  • Longitud de impresión: 500
  • Editor: Plunkett Lake Press (4 de septiembre de 2011)
  • Vendido por: Amazon Media EU S.à r.l.
  • Idioma: Inglés
  • ASIN: B005LY3T4E
  • Texto a voz: Activado
  • X-Ray:
  • Word Wise: Activado
  • Tipografía mejorada: Activado
  • Clasificación en los más vendidos de Amazon: n°13.413 Pagados en Tienda Kindle (Ver el Top 100 de pago en Tienda Kindle)

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Amazon.com: 4.6 de un máximo de 5 estrellas  106 opiniones
19 de 19 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas May I suggest complimenting the World of Yesterday with Florian Illies' 1913? 7 de noviembre de 2013
Por David H. Gustafson - Publicado en Amazon.com
Formato:Tapa blanda|Compra verificada
This is an amazing memoir with an unbelievable cast of characters bringing to life the brilliance of Europe before it fell into the mass grave of the First World War.

Half way through I picked up Florian Illies' 1913, chronicling month-by-month, the personal struggles, wandering, eccentricities and triumphs of many of Europe's literary, intellectual and historical stars. I would then compliment each chapter of Zweig's memoir with a month or two from Florian's small masterpiece referencing many of the same characters.

May I recommend them both simultaneously!
12 de 12 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas The World of Yesterday 20 de julio de 2014
Por S Riaz - Publicado en Amazon.com
Formato:Versión Kindle
On reading this book, my first thought is that this is much more than a biography. It is a portrait of an era and a love letter to Stefan Zweig’s beloved Europe; written after he was forced into exile by the onslaught of fascism. However, the book begins with Zweig growing up in Austria, prior to WWI, in, what he terms, the Golden Age of Security. Austria seemed to have a stable government and consistency in the Habsburg monarchy. There was a sense of order and everyone knew their place in society. Despite Zweig’s remembrances being a little rose-tinted, there are hints that not all was perfect. He admits to finding school pointless and dreary, complains about the lack of natural relationships between men and women and sneers at the duellists at university. Throughout the book, Zweig’s love is for literature and he opts to study philosophy not out of any love for the subject, but because he believes it will inconvenience him the least and leave him time to write.

There are many portraits of other authors, musicians and artists in this book. Zweig suggests that European Jewry saw their support of the arts as a way in which they could make their mark and find a niche for themselves – other avenues, like the army, being virtually barred to them. Luckily, it was an area he adored and he spent much of his time collecting memorabilia from those he admired. He writes of the unrest leading up to WWI and recalls how the assassination of Archduke Franz Ferdinand was greeted without distress, as he was generally unpopular. Zweig is always utterly honest in his writing, admitting, “there is nothing heroic in my nature,” and that he had a perfectly natural desire to evade dangerous situations. That said, he procured a post in the library at the War Archives, where he wrote movingly of his desire for a united Europe. He always resisted war and hatred and found Austria a different place after the war, with no Kaiser, financial chaos and raging inflation.

He also writes about his travels; to Paris, Berlin, London, India, America, Italy and a fascinating account of his visit to Russia. When Zweig asked his Russian publisher why he had not fled on the outbreak of the revolution, the Russian admitted that he had not believed the situation would last. Along with an anonymous note advising him not to take all he heard and saw at face value, Zweig was much more likely to question when fascism began to rise in Europe, suggesting that people used self deception because of a reluctance to abandon their accustomed life. Still, it made him more aware of the problems ahead. Despite being financially secure and imagining his life was settled, he found he was standing on very unstable ground.

Although the decade after the war was enjoyable for Stefan Zweig, as the 1930’s began, life became more difficult. By 1934, when his friends began to avoid him and he suffered the indignity of having his house searched, Zweig left for London, where he stayed for some years. Although he returned to Austria in 1937, he found nobody was prepared to listen to his warnings and it is obvious that, during this time, he felt terrible despair. In his fifties, he found himself homeless, stateless and with the possibility of becoming an enemy alien, if England went to war with Germany.

Despite much of Zweig’s musings being both moving and, at times, deeply saddened by events in his beloved Austria, this is by no means a depressing book. It is filled with anecdotes of literary and artistic life, of travel and his delight of discovery and friendship. At all times, Zweig is humane, intelligent and understanding company. If you have any interest in Europe, especially around the time of the first world war, this will present you with a vibrant and enticing portrait of a lost world. It is obvious that it’s loss saddened Zweig and that he was unable to come to terms with life as an exile – sadly committing suicide in Brazil in 1942. His death was a tragic loss to literature and it is wonderful that his books are now being translated into English. According to Zweig, his books never received much success in England, but that was surely our loss and it is wonderful that his work is now being rediscovered.
12 de 12 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas A fabulous find 15 de septiembre de 2013
Por Richard Harrington - Publicado en Amazon.com
Formato:Tapa blanda|Compra verificada
I recently discovered Zweig, sad to admit because I'm 71 years of age and have a graduate degree. This book is a description of a world gone by. For simplification, think of the lyrics to the songs in Romberg's "Student Prince". The Vienna, the Austria of old, how wonderful, The Viennese waltz, the decorum of the times, etc. After one reads this, one begins to think that Zweig is a bit fragile, even naïve. But you want to read his other books as well.
5 de 5 personas piensan que la opinión es útil
4.0 de un máximo de 5 estrellas Zweig and Gotterdammerung 11 de mayo de 2014
Por otto k - Publicado en Amazon.com
Formato:Versión Kindle|Compra verificada
Zweig, perhaps more than any other writer, encapsulated what it was like to be privileged, intelligent and living in a world about to be toppled from an impossible pedestal. In "The World of Yesterday" he aptly describes its impossibilities, delusions and fantasies. Among them were the impossible ideals Zweig himself espoused: a pan-European state, a universal brotherhood of like minded intellectuals, and an obsessive veneration for the past. As an artist his unrivaled popularity perhaps led to his unwillingness to fight against the dark forces that collapsed Europe during his lifetime. He always choose flight over fight, eventually committing suicide with his new bride in a remote location in Brazil, a place he somehow imagined would resurrect a facsimile of his shattered world. (Unlike innumerable Germanic Europeans - Mann, Arendt, Adorno, Einstein, to name a few - who fled Europe in the 30's and stayed in the US to fight fascism.) There are many lessons to be drawn from"..Yesterday", the most important being the impossibility of knowing when "it can't happen here" will, as it invariably does, happen. For a better written, contemporaneous, and more insightful record of the era described by Zweig, read the diaries of Count Harry Kessler. It is unsurpassed as a record those tumultuous times.
5 de 5 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas The Stefan Zweig Classic: 24 de noviembre de 2013
Por Anne-Marie - Publicado en Amazon.com
Formato:Tapa blanda
This little classic is really a memoir of life before World War II and Adolf Hitler by one of the bestselling authors in Europe, a man who loved to write so much that he said that "work is my vacation." Reading this book is bittersweet, like being taken on a lovely tour that you know is going to end badly. Still, there is something to come that you can't be prepared for. I see this book reminds some people of songs. For me it is Duran Duran's nostalgic "Ordinary World".
Ir a Amazon.com para ver las 106 opiniones existentes 4.6 de un máximo de 5 estrellas

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