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Beethoven: Cuartetos De Cuerda Audiolibro, Cofre, CD, Importación

4.0 de un máximo de 5 estrellas 2 opiniones de clientes

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CD de audio , Audiolibro, Cofre, 3 ene 2012
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EUR 23,90
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Descripción del producto

Campaña Cap Boxes

Opinión

Lista de canciones:
1. 1. Allegro
2. 2. Andante con moto
3. 3. Allegro
4. 4. Presto
5. 1. Allegro con brio
6. 2. Adagio affettuoso ed appassionato
7. 3. Scherzo (Allegro molto)
8. 4. Allegro
9. 1. Allegro
10. 2. Adagio cantabile - Allegro - Tempo I
11. 3. Scherzo (Allegro)
12. 4. Allegro molto, quasi presto

Disco 2
1. 1. Allegro ma non tanto
2. 2. Andante scherzoso, quasi allegretto
3. 3. Menuetto (Allegretto)
4. 4. Allegro
5. 1. Allegro
6. 2. Menuetto
7. 3. Andante cantabile
8. 4. Allegro
9. 1. Allegro con brio
10. 2. Adagio ma non troppo
11. 3. Scherzo (Allegro)
12. 4. La Malinconia (Adagio - Allegretto quasi allegro - Adagio - Allegretto - Poco adagio - Prestissimo)

Disco 3
1. 1. Allegro
2. 2. Allegretto vivace e sempre scherzando
3. 3. Adagio molto e mesto
4. 4. Thème russe (Allegro)
5. 1. Allegro
6. 2. Molto adagio
7. 3. Allegretto
8. 4. Finale (Presto)

Disco 4
1. 1. Introduzione (Andante con moto) - Allegro vivace
2. 2. Andante con moto quasi allegretto
3. 3. Menuetto (Grazioso)
4. 4. Allegro molto
5. 1. Poco adagio - Allegro
6. 2. Adagio ma non troppo
7. 3. Presto - Più presto quasi prestissimo
8. 4. Allegretto con variazioni
9. 1. Allegro con brio
10. 2. Allegretto ma non troppo
11. 3. Allegro assai vivace ma serioso
12. 4. Larghetto espressivo - Allegretto agitato

Disco 5
1. 1. Maestoso - Allegro
2. 2. Adagio ma non troppo e molto cantabile
3. 3. Scherzando vivace
4. 4. Finale
5. 1. Adagio ma non troppo e molto espressivo
6. 2. Allegro molto vivace
7. 3. Allegro moderato
8. 4. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto
9. 5. Presto
10. 6. Adagio quasi un poco andante
11. 7. Allegro

Disco 6
1. 1. Assai sostenuto - Allegro
2. 2. Allegro ma non tanto
3. 3. Canzona di ringraziamento offerta alla divinità da un guarito, in modo lidico (Molto adagio) - Sentendo nuova forza (Andante)
4. 4. Alla marcia, assai vivace - Più allegro - Presto
5. 5. Allegro appassionato
6. 1. Allegretto
7. 2. Vivace
8. 3. Lento assai, cantante e tranquillo
9. 4. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro)

Disco 7
1. 1. Adagio ma non troppo - Allegro
2. 2. Presto
3. 3. Andante con moto ma non troppo. Poco scherzando
4. 4. Alla danza tedesca (Allegro assai)
5. 5. Cavatina ( Adagio molto espressivo)
6. Grosse Fuge in B flat, Op.133
7. 6. Finale (Allegro)


Detalles del producto

  • CD de audio (3 de enero de 2012)
  • Número de discos: 7
  • Formato: Audiolibro, Cofre, CD, Importación
  • Sello: Deutsche Grammophon Classics
  • ASIN: B003W16T9A
  • Valoración media de los clientes: 4.0 de un máximo de 5 estrellas  Ver todas las opiniones (2 opiniones de clientes)
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Listas de canciones

Disco: 1

  1. Allegro
  2. Andante con moto
  3. Allegro
  4. Presto
  5. 1. Allegro con brio
  6. 2. Adagio affettuoso ed appassionato
  7. 3. Scherzo (Allegro molto)
  8. 4. Allegro
  9. 1. Allegro
  10. 2. Adagio cantabile - Allegro - Tempo I
  11. 3. Scherzo (Allegro)
  12. 4. Allegro molto, quasi presto

Disco: 2

  1. Allegro ma non tanto
  2. Andante scherzoso, quasi allegretto
  3. Menuetto (Allegretto)
  4. Allegro
  5. 1. Allegro
  6. 2. Menuetto
  7. 3. Andante cantabile
  8. 4. Allegro
  9. 1. Allegro con brio
  10. 2. Adagio ma non troppo
  11. 3. Scherzo (Allegro)
  12. 4. La Malinconia (Adagio - Allegretto quasi allegro - Adagio - Allegretto - Poco adagio - Prestissimo)

Disco: 3

  1. Allegro
  2. Allegretto vivace e sempre scherzando
  3. Adagio molto e mesto
  4. Thème russe (Allegro)
  5. 1. Allegro
  6. 2. Molto adagio
  7. 3. Allegretto
  8. 4. Finale (Presto)

Disco: 4

  1. Introduzione (Andante con moto) - Allegro vivace
  2. Andante con moto quasi allegretto
  3. Menuetto (Grazioso)
  4. Allegro molto
  5. 1. Poco adagio - Allegro
  6. 2. Adagio ma non troppo
  7. 3. Presto - Più presto quasi prestissimo
  8. 4. Allegretto con variazioni
  9. 1. Allegro con brio
  10. 2. Allegretto ma non troppo
  11. 3. Allegro assai vivace ma serioso
  12. 4. Larghetto espressivo - Allegretto agitato

Disco: 5

  1. Maestoso - Allegro
  2. Adagio ma non troppo e molto cantabile
  3. Scherzando vivace
  4. Finale
  5. 1. Adagio ma non troppo e molto espressivo
  6. 2. Allegro molto vivace
  7. 3. Allegro moderato
  8. 4. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto
  9. 5. Presto
  10. 6. Adagio quasi un poco andante
  11. 7. Allegro

Disco: 6

  1. Assai sostenuto - Allegro
  2. Allegro ma non tanto
  3. Canzona di ringraziamento offerta alla divinità da un guarito, in modo lidico (Molto adagio) - Sentendo nuova forza (Andante)
  4. Alla marcia, assai vivace - Più allegro - Presto
  5. Allegro appassionato
  6. 1. Allegretto
  7. 2. Vivace
  8. 3. Lento assai, cantante e tranquillo
  9. 4. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro)

Disco: 7

  1. Adagio ma non troppo - Allegro
  2. Presto
  3. Andante con moto ma non troppo. Poco scherzando
  4. Alla danza tedesca (Allegro assai)
  5. Cavatina ( Adagio molto espressivo)
  6. Grosse Fuge in B flat, Op.133
  7. 6. Finale (Allegro)

Opiniones de clientes

4.0 de un máximo de 5 estrellas
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Por Pyotr Petrovich TOP 50 COMENTARISTAS en 19 de noviembre de 2013
Formato: CD de audio
Frecuentemente acusados de presentar inmaculadamente el acabado técnico de esta música compleja más que su sustancia, estas grabaciones de 1994/5 son brillantes y técnicamente muy satisfactorias. El escuchar a los Emerson de nuevo nos deja con la boca abierta en muchas ocasiones, tal es su maestría, su ataque unánime, enorme rango dinámico y precisión laser y su forma totalmente concentrada de tocar, sobre todo en los últimos cuartetos. Pero también es cierto que hay muchas ocasiones en las que uno se queda pensando si no estarán resbalando por la superficie, como si algo les impidiera adentrarse más allá de ella, como si el mensaje humanista del compositor no fuera una de sus prioridades. Esta impresión es inmediatamente confirmada si a continuación escuchamos a los Végh/Valois (que técnicamente no pueden competir con los Emerson en entonación y brillantez de ataque, pero que espiritualmente están a años luz). Un compromiso puede alcanzarse con el Quartetto Italiano/Philips, ahora Decca que son inmaculados técnicamente (con una sonoridad más 'viejo mundo') y espiritualmente y, si busca una toma de sonido moderna en la misma línea de técnica+inmersión, los Endellion/Warner le serán muy satisfactorios.Leer más ›
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Formato: CD de audio Compra verificada
Todo lo que ejecuta el cuarteto Emerson, y esta no es una excepción, tiene un sello inconfundible: el sonido es muy bello, la paleta de colores que presenta muy amplia, toda la música, simple y sencillamente, refulge. Una integral bellísima, para disfrutar. Ahora bien, como se plantea en otro comentario, ¿ se escuchan a sí mismos o al compositor ?. Tal como yo lo veo: dejan hablar a la partitura. Es decir, no parecen mostrar interés en "pelearse" con ella. Lo cual no quiere decir, ni mucho menos, que no florezca por todas partes una exquisita sensibilidad. En el polo casi opuesto están los chicos del cuarteto Vègh. Estos son verdaderos "artesanos". Se pelean con las obras, discuten y/o dialogan con el compositor. Ciertamente que su técnica no es la misma y el sonido de la grabación de su integral deja que desear, mas el diálogo es intenso. ¿ Conclusión ?. Es la eterna armonía de los contrarios: al escuchar a unos apreciamos lo que aporta y en lo que se distancia del otro. Y eso nos hace apreciar más a los dos polos. Escuche toda la integral de cuartetos de Beethoven escogiendo en cada caso uno de cada formación y así, de una tacada, apreciará más a las dos. Hay otras opciones: bella, de sonido cálido, y de aplastante buen gusto (por encima de todo) las del Tokyo Quartet. La fina y exquisita del Italiano o la equilibrada en sus pretensiones de belleza tonal y de búsqueda de los chicos del Endellion. Todo un gratificante rosario de grandísimas integrales. Esta, la de los Emerson, tienen su puesto junto a todas ellas.
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Opiniones de clientes más útiles en Amazon.com (beta) (Puede incluir opiniones del Programa de Recompensas de Opiniones Iniciales)

Amazon.com: 4.7 de un máximo de 5 estrellas 36 opiniones
64 de 65 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas As Good As It Gets 27 de enero de 2012
Por Johannes Climacus - Publicado en Amazon.com
Formato: CD de audio Compra verificada
This really is an astonishing bargain: a first-rate Beethoven quartet cycle, in digital recording of recent provenance, now available in the lowest price bracket.

The quality of the performances is quite exceptional. I have only recently come to appreciate the collective artistry of the Emerson Sring Quartet. Previously I had heeded the admonitions of reviewers, online and in print, to the effect that their playing was slick, superficial "virtuosity for its own sake." Then not long ago I purchased their most recent CD on Sony (the Mozart "Prussian" Quartets) and was simply bowled over. In this Beethoven cycle there is virtuosity aplenty--we would expect nothing less of an ensemble known to play all six Bartók quartets in a single evening--but at least to my ears it is entirely in the service of musical expression. The fugal finale of Op. 59, no. 3, will lift you right out of your seat--an incredible feat of collective bravura--yet the movement's formal outlines are clearly in view and every phrase sings out full-throatedly--even at their blistering pace. Throughout the cycle, slow movements are deeply expressive without being unduly romanticized. The elegance as well as the "unbuttoned" enthusiasms of the Op. 18 quartets is splendidly conveyed; in Op. 59, 74 and 95 they communicate an appropriate sense of adventure as Beethoven experiments with successive redefinitions of the genre; and in the Late quartets they manage to express the cragginess, the whimsicality, the existential angst, and the mysticism without a single detectable imperfection of ensemble or intonation.

Indeed, the Emerson's technical address is almost superhuman: as quartet playing, this is as good as it gets. Yet this very quality, paradoxically, manages to illuminate the underlying humanity, even vulnerability. of Beethoven's most private utterances. Every phrase breathes; every note is placed and articulated with exquisite care for detail. At times, this virtue can be heard as a liability, and occasionally (as in the opening movement of Op. 131), I thought the Emersons came perilously close to "loving the music to death." Some listeners, myself included, would trade some of their sophistication--genuine though it is, and rarely "showy"--for a greater measure of spontaneity. Even this misgiving surfaces but rarely in the ongoing and effortless stream of sheer loveliness that proceeds from these four extraordinarily gifted (and democratically organized) instrumentalists. One listen through their rendition of the "Heiliger Dankgesang" from Op. 132 should convince anyone of the Emerson's musicality, sincerity, and deep understanding of Beethoven. No empty virtuosity here--or really anywhere in this glorious cycle, which now holds a place in my affections alongside the Busch, the Budapest of the 1940's and the Hungarians as the finest Beethoven cycle ever recorded.

No grumbles about the recording, either; the DG/Universal engineers have caputred this group's distinctive sonority--sweet, tart and spicy--with remarkable clarity, and plenty of ambient warmth.

Whatever Beethoven quartet recordings you may already own, you must hear the Emersons. And while you're at it give a listen to their equally perceptive Mozart, Haydn and Schubert.
22 de 23 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Excellent early and middle quartets and mixed results in the late quartets 23 de mayo de 2013
Por Gwac - Publicado en Amazon.com
Formato: CD de audio Compra verificada
I was introduced to Beethoven's string quartets by the Emersons through their 3-disc "Trio" set of late quartets. Over time I was able to hear other ensembles (Alban Berg, Suske, Takacs, Cleveland, Talich, Vegh, Italiano, Guarneri, Gewandhaus, among others), and frankly I came to the conclusion that the Emersons were not my favorite in the late works. However, I was still curious enough about the Emersons' Beethoven that when this "Collector's Edition" budget box of the complete quartets came out I didn't hesitate to pick it up. It's a good thing, too, as my impression of the Emersons' early and middle quartets is more consistently positive than with the late quartets. Their energy and dramatic flair suit these more youthful and revolutionary works very well. In particular I consider their recordings of Opp. 59/2, 74, and 95 to be among the very best I've heard. Their early quartets are clean, brisk and dramatic without missing out on the grace of some of the nice slow movements like the adagio cantabile of Op. 18/2 and the andante cantabile of Op. 18/5. The focus on the Emersons' speed and virtuosity tends to overlook the fact that they present the music in scrupulous detail. Consider the buildup to the exquisite climax of the first movement of the 'Harp' quartet - in no other recording are the instrumental balances so clear and carefully handled, and the result is a gorgeously ecstatic finish.

My reservations are mostly regarding the late works, where the short, fast movements like the prestos of Opp. 130 and 131 and the vivace of Op. 135 are played with amazing perfection while critical slow movements like the adagio ma non troppo of Op. 127 and the andante ma non troppo of Op. 131 lack the grace and delicacy needed to seal the deal. Also, the dynamic punches can get tiresome in some movements like the scherzo and finale of Op. 127. These complaints aside, I do think their Opp 132 and 135 are consistently excellent. Outside of the late quartets I also have reservations regarding the finale of Op. 59/3, where not even the Emersons' virtuosity can sustain the manic tempo; The result is that important details and phrasing are smeared in the name of speed.

The recorded acoustic captures each instrument individually while leaving enough room for the sounds to reverberate and coalesce. It is ultra-clear and suits the Emersons' virtuosic ensemble. Liner notes are pretty abbreviated yet these days it seems we are lucky to get anything at all.

There are a lot of great recordings of these works out there, each providing a slightly different perspective on this incredible music. While the Emersons tend to get a bad rap for overlooking depth in favor of excitement, I don't quite see it that way with this collection. In my view their early and middle works stand among the best, even in the slow movements, while the late quartets lack some degree of mystery and reverence. Stylistically they are complementary to other recordings that tend towards the lyrical and searching (Italiano, Suske, Gewandhaus, Vegh, Talich). If you're looking for only one set, the Alban Berg Quartett and the Takacs Quartet take more of a middle road that for my money captures the best of both worlds.
5.0 de un máximo de 5 estrellas Bravo! 11 de marzo de 2017
Por Amazon Customer - Publicado en Amazon.com
Formato: CD de audio Compra verificada
It's hard to beat the Emersons on a good day and they surely had many good days recording this great collection of Beethoven's early, middle, and late period quartets. The sound and spatial quality is almost too good at times because you can often pick up the heavy-breathing member of the quartet. That distraction went away once I switched from headset to (more distant) speakers so I don't mark the set down because of it. The Emersons can play with remarkable vigour or soar like a bird or wrap us in mellow harmony, whatever the music requires. It often requires all that and more for the pinnacle known as the late quartets and the Emerson Quartet delivers in marvellous fashion, at times threatening to tear their instruments to pieces in the process. Definitely bravo! and five stars.
3 de 3 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Superior 17 de mayo de 2013
Por Kevin D. Levellie - Publicado en Amazon.com
Formato: CD de audio Compra verificada
The Emersons are my favorite String Quartet ensemble. I have had recordings of all but two of these quartets by Beethoven, but they have made the entire body sit up and shine in a way that excels.
3 de 3 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Really fine. 11 de junio de 2014
Por S. Fox - Publicado en Amazon.com
Formato: CD de audio Compra verificada
A great set of recordings of Beethoven's quartets. I am probably not qualified to make fine distinctions between different performances of this music, but I have spent a good deal of time listening to these and I have not noticed any distractions or breaks. A really good purchase for me.


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