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Cash [Francia] [Blu-ray]

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Descripción del producto

Descripción del producto

Cash, 1 Blu-ray, 102 minutes


Cash est un arnaqueur. Charme, élégance, audace, il a tout... y compris le sens de la famille. Aussi, quand son frère est assassiné par un mauvais perdant, il décide de le venger à sa manière. Sans arme, ni violence, mais avec panache. Mais un arnaqueur, quel que soit son talent, finit toujours par trouver plus fort que lui. Une seule chose est sûre : à la fin de la partie, il y a toujours un pigeon...

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Opiniones de clientes más útiles en (beta) 3.7 de un máximo de 5 estrellas 14 opiniones
4 de 4 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Even French Crooks have Class! 24 de abril de 2012
Por Tommy Dooley - Publicado en
This is a stylish crime thriller starring Jean Reno as an uber criminal who does con tricks on deserving sorts that the French call `pigeons' and many a feather gets to fly in this full on scam-athon. The synopsis is that slick grifter Ca$h (Jean Dujardin) has his finger in many crime pies, and whilst his brother is pulling another scam he gets murdered. Ca$h wants to avenge his brother and so sets out to pull off a plan so cunning that it will take a mind more devilish than him to thwart.

Enter Jean Reno as Dubrreuil, or is he? They are also being chased by top police woman Julia who is a careerist crime buster, or is she? And femme fattalle Garance who is a sweet little French flibbertigibbet- or is she? You have to keep guessing as they go from one con to the next it is often difficult to work out who is playing who. You also never get to decide who the good guys and we even have an English police boss - or is he? Well yes he actually is English but can he trust his own men, well you are going to have to watch it to find out.

As mentioned this oozes style the music is a bit of a conundrum though as it verges almost on sixties parody akin to The Pink Panther at some points which I am sure was unintentional, but it gets the care free and louche life style of these high class crooks across very nicely.

It is brilliantly filmed and acted with just the right amount of Gallic self confidence that we Brits either find threatening or endearing - either way we is just jealous. Everyone seems to be effortlessly chic and they all have fab cars from Range Rovers to Convertible Minis (they are a great car I've got one and yes there are some BMW's and Bentleys, and Renaults, but Minis do rock. Enough of the cars, this is Riviera fun and there are some leaps of faith required with the plot if you stop and think. But this is one of those films that is so fast paced that you deliberately over look any plot contrivance and just let it wash over you, this is so close to being five stars really but I am awarding four purely because I am not French - only joking I ruddy loved it and so it gets the lot

In French with stylish sub titles and with a run time of an hour and a half or just over this is a film with more twists than a Chubby Checker song (well the one about twisting any way).
2 de 2 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Best Suprise Ending That Was There The Whole Time... 4 de marzo de 2013
Por Redbanks - Publicado en
Compra verificada
This is a terrific movie for those who enjoy the surprise endings that were there the whole time. Naturally complex but no false holes. It unfolds perfectly. French with English subtitles (with the occasional English speaking exchanges). Every member of the cast deliver awesome performances. Stylish production with lavish settings and locations. Another gem for Jean Dujardin (OSS 177)...
1 de 1 personas piensan que la opinión es útil
2.0 de un máximo de 5 estrellas A con game that's all front, no sting 18 de noviembre de 2012
Por Trevor Willsmer - Publicado en
What do you get when you put two of France's most charismatic stars in a glossy comedy about conmen? Not much in the case of Eric Besnard's Ca$h, which stars Jean Dujardin as a smooth operator and Jean Reno as his rich potential father-in-law, who may also be his latest pigeon. Throw in a murdered brother, a jewel heist, some mercenaries and Valeria Golino's cop who is either out to arrest them all to get a promotion or may be planning a bit of larceny herself if she can outwit the Internal Affairs men shadowing her and you've got a fairly predictable who's playing who caper with no new wrinkles to make it stand out. There's a feeling of ticking boxes, with none of the surprises or panache needed - this con is all front, going through the motions but never really convincing you. Dujardin's fine as the lead but Reno's not even pretending to bring his A-game to this one, Golino, saddled with an unconvincing tan and a hairstyle that makes her look like a barmaid in EastEnders with a slightly higher dress allowance, doesn't strike any sparks while Francois Berleand is wasted in a small sidekick role and Ciaran Hinds seems to be playing his senior detective like a disinterested bloodhound who gets irritable when you try to move it from it's snug place by the fire. It's perfectly watchable, but the neat payoff isn't really enough of a reward, making this one for the die-hard fans of the stars.

Boasting the kind of blatantly misleading packaging that is their stock in trade (in this case selling it as an action-packed thriller), Metrodome's region-free UK Blu-ray is a sloppy affair that they clearly just rushed out to capitalise on Dujardin's success with The Artist: a decent but far from outstanding 2.35:1 widescreen transfer with occasionally hard to read subtitles, no menu options beyond `Play' (though the film is chaptered) and only a few unrelated trailers as extras.
4.0 de un máximo de 5 estrellas Enjoyable Caper Movie 30 de diciembre de 2014
Por Dr. Laurence Raw - Publicado en
Other reviewers have noticed the similarities between C$SH and OCEANS
ELEVEN (2001) or OCEANS TWELVE (2004). To this list we might add some
caper films of the Sixties, including the original OCEAN'S ELEVEN
(1960) or Ronald Neame's GAMBIT (1966) and Peter Collinson's THE
Italian JOB (1969).

All the familiar elements are here: exotic locations in Monaco as well
as the south of France; sun-kissed beaches and luxury hotels; the deep
azure blue of the Mediterranean; iconic cars; and a stellar cast
clearly enjoying themselves with Éric Besnard's script.

The plot is basically irrelevant - suffice to say that small time
conman Cash (Jean Dujardin) pits his wits against Mr. Big Maxime -
Dubreuil (Jean Reno). It seems that Cash's endeavors are doomed to
fail, as Maxime not only has power but wealth and guile as well. Cash
teams up with enthusiastic police officer Julia (Valeria Golino), whose
understanding of the difference between right and wrong appears tenuous
at best, and together they set about trying to place a sting on Maxime.
The action comes to a climax at a luxury seaside hotel, with the
protagonists fighting to secure an attaché case full of expensive and
unregistered diamonds.

Also involved in the gallimaufry are Ciarán Hinds and Joe Sheridan as a
pair of native English speakers involved with the French police force;
their grasp of both languages is highly competent - far more so than
their professional abilities.

The effect of watching C$SH is rather like playing with a series of
Chinese boxes; nothing is quite what it seems. The 'good' characters
turn out to be corrupt' the 'bad' characters are not quite as
black-hearted as we might first assume. But director Éric Besnard isn't
much interested in morality; he invites us to admire the ingenuity of
the various cons instituted by the various characters. This is a world
where only the fittest - and the most astute - survive.

A highly enjoyable film, with a series of ingenious shot-structures
(especially the use of split-screen techniques) recalling those days of
the "Swinging Sixties" when everyone seemed so much more carefree than
they do today.
3.0 de un máximo de 5 estrellas Merely average..sadly 2 de agosto de 2016
Por Stephen J. Heeney - Publicado en
Compra verificada
Average storyline. Jean Reno doesn't appear for 35 minutes. Difficult to watch due to the needless white subtitles. Dialogue completely disappears at times. Yellow subtitles people..yellow subtitles.

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