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Cemeteries of Ambivalent Desire: Unearthing Deep South Narratives from a Texas Graveyard (University of Houston Series in Mexican American Studies) (Inglés) Tapa dura – 1 feb 2008


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"The book has a haunting quality that draws the reader into the story and the author's personal quest for identity. The book successfully demonstrates the historical omission of minority events and leaders from Texas history...unique in its analysis. It is timely fro its critique of the hagiography and myth in Texas history."--Andres Tijerina, Austin Community College--Andres Tijerina, Austin Community College "Cemeteries of Ambivalent Desire remains a rewarding read, highlighted by incisive textual analysis, and propelled by the belief that we, as the living, must confront the ghosts of the past if we are to understand the world we inhabit and all of its injustices and possibilities."--;i>Southwestern Historical Quarterly--Chris Stone "Southwestern Historical Quarterly " ""Cemeteries of Ambivalent Desire" remains a rewarding read, highlighted by incisive textual analysis, and propelled by the belief that we, as the living, must confront the ghosts of the past if we are to understand the world we inhabit and all of its injustices and possibilities."--;i>Southwestern Historical Quarterly"--Chris Stone "Southwestern Historical Quarterly " ""Cemeteries of Ambivalent Desire" remains a rewarding read, highlighted by incisive textual analysis, and propelled by the belief that we, as the living, must confront the ghosts of the past if we are to understand the world we inhabit and all of its injustices and possibilities."--;i>Southwestern Historical Quarterly"--Chris Stone "Southwestern Historical Quarterly "

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Growing up as the daughter of a funeral director in Fort Bend County, Texas, Marie Theresa Hernandez was a frequent visitor to the San Isidro Cemetery, a burial place for Latino workers at the Imperial Sugar Company, based in nearby Sugar Land. During these years she acquired from her father and mother a sense of what it was like to live as an ethnic minority in Jim Crow Texas. Therefore, returning to the cemetery as an ethnographer offered Hernandez a welcome opportunity to begin piecing together a narrative of the lives and struggles of the Mexican American community that formed her heritage.However, Hernandez soon realized that San Isidro contained hidden depths. The cemetery was built on the former grounds of an old slave-owning plantation. Her story quickly burgeoned from one of immigrant laborers working the land of the giant sugar company to one of the slave laborers who had worked the sugar plantations decades before, but whose history had been largely wiped out of the narrative of the affluent, white-majority county. Much like an archeologist, Hernandez began carefully brushing away layers of time to reveal the fragile, entombed remnants of a complex, unknown past.A professional photographer as well as a scholar, Hernandez provides visual images to spur the reader's imagination and anchor the narrative in historical reality. She mines interviews, newspaper accounts, and other primary sources - interpreted through her own rich sense of place and time - to reconstruct the identity of a community where the Old South, the wealthy New South, and the culture from south of the border all comingle to form an almost iconic symbol for today's America.In this complex and nuanced, self-reflexive ethnography, Hernandez interweaves personal memory and group history, ethnic experience and class...even death and life.

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Amazon.com: 5,0 de 5 estrellas 1 opiniones
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5,0 de 5 estrellasCemetery that I am familar with....
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