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De 2ª mano: Como nuevo | Detalles
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Concierto para piano , 3 Audiolibro, CD, Sonido digital, SACD Híbrido - DSD, Super audio CD - DSD

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CD de audio , Audiolibro, CD, 27 ene 2014
"Vuelva a intentarlo"
EUR 16,68
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Seit seinem Sieg 1998 beim 11. Internationalen Tschaikowsky-Wettbewerb in Moskau hat sich Denis Matsuev als einer der führenden russischen Pianisten seiner Generation etabliert. Besonders seine Interpretationen von Werken der russischen Klaviermusik haben stets die einhellige Zustimmung der Kritiker gefunden, und so verwundert es nicht, dass er für seine CD bei MARIINSKY mit Rachmaninoffs drittem Klavierkonzert und der Rhapsodie über ein Thema von Paganini zwei der bekanntesten, aber auch anspruchvollsten Klassiker der russischen Konzertliteratur ausgewählt hat. Als kongeniale musikalische Partner standen dem Künstler Valery Gergiev und das Mariinsky Orchester zur Verfügung. Zu hören bekommen wir also eine durch und durch russische Lesart der beiden Werke. Die hervorragende Akustik der St. Petersburger Mariinsky Concert Hall macht diese SACD-Aufnahme auch zu einem klangtechnischen Ereignis.

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Amazon.com: 4.4 de un máximo de 5 estrellas 10 opiniones
15 de 17 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas He Skips 13 bars in the Last Movement of the Concerto 21 de julio de 2010
Por Carl Armstrong - Publicado en Amazon.com
Formato: CD de audio Compra verificada
You can watch Michael Pletnev's DVD of the Rhapsody on a Theme by Paganini on Youtube, and since I like his performance more than anyone else, including the composers, I will focus primarily on the 3rd Piano Concerto of which I have 18 recordings.The 2 very best and greatest recorded performances I have ever heard of Rachmaninoff's 3rd Piano Concerto are with Byron Janis and Van Cliburn who give every note meaning and make the Concerto come together as a single expressive statement of Rachmaninoff's vision.Van Cliburn's 1958 recording (recently digitally remastered on RCAs "Living Stereo" series) of Rachmaninoff's 3rd Piano Concerto with Kyril Kondrashin, and Byron Janis (who studied under Horowitz for 10 years and plays it better than his teacher) 1961 recording with Antal Dorati and the London Philharmonic (Mercurys Living Presence sound is excellent) are in a class by themselves performancewise and continue to set the standard by which all other performances must be compared (like Schnabel or Brendel playing Beethoven)

This new recording by Dennis Matsuev however, is definitely one of the best Rachmaninoff 3rds I have ever heard although he skips 13 bars in the last movement.The reason I give this CD 5 stars is because there are many passages of the Concerto that are fresh and spontaneous and therefore sound as if you are hearing the music for the first time, and also the sound quality is absolutely stunning and in the demonstration category.On the downside, Matsuev tends to rush some of the most gorgeous sections of the 2nd movement, namely at page 41 where the composer has written: "maestoso" not "Allegro" and in the last movement he skips 13 bars (all of pages 60 & 61) and during the thundering tocatta towards the end of the last movement you can barely hear his lefthanded octaves at page 75 which are electrifying in the hands of pianist Santiago Rodriguez who by the way, doesnt skip anything nor does he rush the gorgeous 2nd movement. Santiago Rodriguez's 1998 digitally recorded live performance, will always be a top contender as one of the greatest performances this piece has ever known with the Penguin CD Guide giving it their highest recommendation (a Rosette) while comparing him to William Kapell and Horowitz.(He won the Silver Medal during the 1981 Van Cliburn International Piano Competition.) So if you buy this CD with Dennis Matsuev I am certain that you will enjoy it. But be aware that there are better performances of both works available, however none can quite match the incredible sound of this one.(But if I was living on a desert island, at the top of my must have list would be Pletnev's DVD of the Rhapsody and Olga Kern's DVD of the Concerto, she has 2 but my favorite is the one in Fort Worth Texas June 2001, of her Gold Medal winning performance.Watching this beautiful young woman give the performance of a lifetime is something that words cannot describe)
6 de 7 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Worth it for the Rach 3 cadenza alone 21 de noviembre de 2010
Por Chris Dunlap - Publicado en Amazon.com
Formato: CD de audio Compra verificada
I saw Matsuev perform Rach 3 with the Mariinsky in Chicago and was absolutely blown away, having a) never seen the concerto performed live and b) that his interpretation could come close to Argerich's legendary standard. The unexpected treat was the extended cadenza that is (here, too) one of the most impressive raw displays of pure pianistic power I have ever seen. Yet when the music calls for tenderness, he can put the hands of steel away and dazzle audiences with his emotional capacity too. I came away from that concert swearing never to forget the name of Denis Matsuev. Though the Rach 3 was what prompted me to buy the CD, I must say his Rhapsody on a Theme of Paganini is just as delightful, even if it never drove any pianist to madness. No Rachmaninov piano lover can, in my opinion, go without at least a few careful listens to Matsuev, and this is an astonishing showcase of his rather frightening abilities at the keyboard.
8 de 10 personas piensan que la opinión es útil
3.0 de un máximo de 5 estrellas Nice performance - Poorly engineered 21 de febrero de 2011
Por Greg P - Publicado en Amazon.com
Formato: CD de audio Compra verificada
I mostly agree with Carl Armstrong's review near by as far as the performances. I also own quite a few recordings of these pieces (8 of the 3rd, and half a dozen of the Rhapsody). It is not as musical as some recordings of the 3rd - my personal favorite is Lazar Berman with the London Symphony, which I believe is still available (and which does not edit the final movement of the 3rd). That said, my real problem with this CD is in the engineering. It is done to shockingly low standards with regard to the edits. The actual recording seems to be OK, but the edits are intrusive. There are clearly insertions here that can be heard on good equipment. Even more noticeable, each subsection of the Rhapsody seems to have been a separate take, and they were slammed together in a way that leaves clearly audible transitions. Indeed, on some, there is a notable change in the ambient noise. This gets in the way of the flow of the overall music. I am not opposed delicate editing to enhance a performance, but this clearly was done in a ham-handed way.
11 de 16 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas The gem here is a scintillating Paganini Rhapsody, a total delight 10 de febrero de 2010
Por Santa Fe Listener - Publicado en Amazon.com
Formato: CD de audio
The previous Mariinsky releases have concentrated on unusual repertoire. Here, as a change up, they offer very familiar piano showpieces by Rachmaninov. Thanks to the fall of the Soviet empire, Russian conductors and pianists have flooded the world with far more of Rachmaninov's music than it merits. So, can the starry Denis Matsuev and the masterful Gergiev outshine dozens of competitors who also have these pieces in their blood? Early in his career Matsuev released a CD that was an homage to Horowitz, but his reading of the Rach Three (as it was dubbed in the movie "Shine") is anti-Horowitz: serious, reflective, often relaxed, with many expressive pauses, sometimes in the first movement coming to a standstill. That may sound like the prelude to disparaging this performance, but actually it's refreshing to hear how such a refined and restrained approach, abetted by Gergiev's equal gravity, adds stature to a party piece that I long ago tired of.

Matsuev's technique isn't merely brilliant and powerful. He can handle any shading at any speed, making the finger-busting passages sound fluid, like pearls dropping from the sky. He's more musical than the piece itself, and so is Gergiev. They remove any taint of trashiness. D -- despite his aristocratic manner, Rachmaninov was tempted by the tawdry and by empty displays of note-spinning. This is a great reading for non-fans of the Rach Three like me. The proportion of clattery junk is blessedly low, as it was with Volodos under Levine.

I've heard Matsuev give an eye-opening performance of the Paganini Rhapsody, a much better piece. His secret was that he found a way to turn each variation into a miniature tone poem. He does the same here. Gergiev starts out with a bold statement of the famous theme, and his soloist enters immediately with delicate filigree to announce that this is going to be a scintillating, often witty reading that takes full advantage of Rachmaninov's mastery of piano tone (not that anyone has ever surpassed his magical touch when it comes to performance). Together, Gergiev and Matsuev find a dlightful variety in the score. I can't think of a previous modern reading that even comes close.

Also, the days of bad recording seem to be past in Russia. Both piano and orchestra are given superlative sound.
5.0 de un máximo de 5 estrellas Simply marvellous! 25 de noviembre de 2010
Por P. Adrian - Publicado en Amazon.com
Formato: CD de audio Compra verificada
Denis Matsuev is now one of the most sought-after pianists in the world. This happens not only for he won the prestigious Tchaikovsky international competition in Moscow (1998), but mainly for his astounding virtuosity, for his unmatched ease to tackle the most demanding works in the repertory, for his technical wizardry and refined musicality through which he conveys deeply felt truths of the scores. His inspired artistry aims at shading a new light on traditional masterpieces and extracting unexpected riches out of them.

This is the case here, since Matsuev simply sparks in Rachmaninov's beloved Paganini Rhapsody or the overwhelming 3rd piano concerto. The soloist finds a pathless way to the very essence of these mighty works and succeeds to present them to us as fresh masterpieces full of surprises and spectacular accents, in a very personal manner, without being tributary to any older canonical version, though without letting a bothering impression of ostentatious originality. This freshness looks more evident in Rhapsody where the vivid approach unveils a deep empathy with the composer's intentions, with the mood of each variation reflecting strange premonitory accents. While the colossal weight of the Concerto can't be avoided, the large-scale pianistic displays and the dependence on the orchestral paste allowing little room for novelty. The lyrical side is not neglected throughout, but subtly potentiated by minute inflexions and a detail-oriented finger-work.

The recorded sound is gorgeous, the orchestral support offered by Mariinsky under maestro Gergiev flawless and inspiring. Highly recommended!

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