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Donizetti: El Elixir De Amor Audiolibro, CD, Importación

4.5 de un máximo de 5 estrellas 2 opiniones de clientes

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CD de audio , Audiolibro, CD, 26 dic 2012
"Vuelva a intentarlo"
EUR 12,18
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Descripción del producto

Descripción del producto

Opera! es una nueva colección que reúne los títulos más conocidos del género en las mejores grabaciones de Deutsche Grammophon y Decca. “Carmen”, “Cavalleria Rusticana”, “La Traviata”, etc. interpretadas por los más reconocidos intérpretes como Mirella Freni, Luciano Pavarotti, Plácido Domingo y directores como James Levine o Herbert von Karajan.

Opinión

Lista de canciones:
Disco 1
1. Preludio - Michael Haas, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
2. "Bel conforto al mietitore" - Elena Dan, Michael Haas, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
3. "Quanto è bella, quanto è cara!" - Michael Haas, Roberto Alagna, Elena Dan, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock
4. "Benedette queste carte!" - Angela Gheorghiu, Michael Haas, Roberto Alagna, Elena Dan, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock
5. Marcia. "Come Paride vezzoso" - Michael Haas, Roberto Scaltriti, Angela Gheorghiu, Elena Dan, Roberto Alagna, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
6. "Or se m'ami, come io t'amo" - Roberto Scaltriti, Angela Gheorghiu, Roberto Alagna, Elena Dan, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, Michael Haas, Gaetano Donizetti, Simon Eadon, James Lock
7. "Una parola, o Adina" - Roberto Alagna, Angela Gheorghiu, Orchestre de l'Opera National de Lyon, Evelino Pidò, Michael Haas, Gaetano Donizetti, Simon Eadon, James Lock
8. "Che vuol dire codesta suonata?" - Choeur de l'Opera National de Lyon, Michael Haas, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
9. "Udite, udite, o rustici" - Michael Haas, Simone Alaimo, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
10. "Ardir! Ha forse il cielo mandato" - Michael Haas, Roberto Alagna, Simone Alaimo, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
11. "Voglio dire, lo stupendo" - Michael Haas, Roberto Alagna, Simone Alaimo, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock
12. "Caro elisir! sei mio!" - Michael Haas, Roberto Alagna, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
13. "Chi è mai quei matto?" - Angela Gheorghiu, Michael Haas, Roberto Alagna, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
14. "Esulti pur la barbara" - Michael Haas, Roberto Alagna, Angela Gheorghiu, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock
15. "Tran tran tran tran...In guerra ed in amor" - Michael Haas, Roberto Scaltriti, Angela Gheorghiu, Roberto Alagna, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
16. "Signor sargente" - Michael Haas, Roberto Alagna, Angela Gheorghiu, Elena Dan, Roberto Scaltriti, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
17. "Adina credimi" - Roberto Alagna, Roberto Scaltriti, Angela Gheorghiu, Elena Dan, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, Michael Haas, Gaetano Donizetti, Simon Eadon, James Lock

Disco 2
1. "Cantiamo, cantiam, cantiam" - Michael Haas, Roberto Scaltriti, Simone Alaimo, Elena Dan, Angela Gheorghiu, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
2. "Barcaruola a due voci" - Michael Haas, Simone Alaimo, Angela Gheorghiu, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock
3. "Silenzio! E qua il notaro" - Michael Haas, Roberto Scaltriti, Simone Alaimo, Angela Gheorghiu, Elena Dan, Roberto Alagna, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
4. "La donna è un animale" - Michael Haas, Roberto Scaltriti, Roberto Alagna, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
5. "Ai perigli della guerra" - Roberto Alagna, Roberto Scaltriti, Orchestre de l'Opera National de Lyon, Evelino Pidò, Michael Haas, Gaetano Donizetti, Simon Eadon, James Lock
6. "Saria possibile?" - Elena Dan, Michael Haas, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
7. "Dell'elisir mirabile" - Michael Haas, Roberto Alagna, Elena Dan, Angela Gheorghiu, Simone Alaimo, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock
8. "Io già m'immagino" - Roberto Alagna, Angela Gheorghiu, Simone Alaimo, Elena Dan, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, Michael Haas, Gaetano Donizetti, Simon Eadon, James Lock
9. "Quanto amore! Ed io spietata!" - Angela Gheorghiu, Michael Haas, Simone Alaimo, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock
10. "Una furtiva lagrima" - Roberto Alagna, Angela Gheorghiu, Orchestre de l'Opera National de Lyon, Evelino Pidò, Michael Haas, Gaetano Donizetti, Simon Eadon, James Lock
11. "Prendi; prendi, per me sei libero" - Angela Gheorghiu, Michael Haas, Roberto Alagna, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock
12. "Alto! Fronte!" - Michael Haas, Roberto Scaltriti, Angela Gheorghiu, Simone Alaimo, Elena Dan, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, James Lock, Simon Eadon, Gaetano Donizetti
13. "Ei corregge ogni difetto" - Michael Haas, Simone Alaimo, Angela Gheorghiu, Roberto Alagna, Roberto Scaltriti, Choeur de l'Opera National de Lyon, Orchestre de l'Opera National de Lyon, Evelino Pidò, Gaetano Donizetti, Simon Eadon, James Lock


Detalles del producto

  • CD de audio (26 de diciembre de 2012)
  • Imported ed. edición
  • Número de discos: 1
  • Formato: Audiolibro, CD, Importación
  • Sello: Decca Music Group Ltd.
  • ASIN: B003PN5U68
  • Disponible también en: CD de audio  |  Casete de audio  |  Disco de vinilo  |  Música MP3
  • Valoración media de los clientes: 4.5 de un máximo de 5 estrellas  Ver todas las opiniones (2 opiniones de clientes)
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Opiniones de clientes

4.5 de un máximo de 5 estrellas
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Formato: Música MP3 Compra verificada
Porque este disco ya lo conocía de muchos años antes, el cual me gustaba mucho. Es el mismo y se lo recomendaría a cualquier amante de la ópera.
Comentario ¿Esta opinión te ha parecido útil? No Enviando comentario...
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Lo sentimos, no hemos podido registrar tu voto. Vuelva a intentarlo
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Formato: CD de audio Compra verificada
es un buen disco y me lo entregaron un día antes!
Era un regalo y quede espléndidamente con mi amigo-
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Gracias por tu opinión.
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Opiniones de clientes más útiles en Amazon.com (beta)

Amazon.com: 4.7 de un máximo de 5 estrellas 4 opiniones
3 de 3 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Gueden and DeStefano, Wonderful 4 de abril de 2014
Por Great Faulkner's Ghost - Publicado en Amazon.com
Formato: CD de audio Compra verificada
I'm a big Hilde Gueden fan, and I bought this primarily to hear her take on this ideally coquettish role for her. She does not disappoint, but the pleasant surprise was how compelling De Stafano is here, tender and moving in ways he is not always when paired with Callas, as he so often was. The sound is not up to Decca's best for the era, quite clear and open at times, but often muffled, and there is obvious wear on the tapes. Still, Decca was doing great work at the time, and this only suffers by comparison to the Decca engineers' best efforts. Well worth owning, a treat really.
1 de 1 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Effective Elixer 6 de abril de 2014
Por Great Faulkner's Ghost - Publicado en Amazon.com
Formato: CD de audio Compra verificada
I'm a big Hilde Gueden fan, and I bought this primarily to hear her take on this ideally coquettish role for her. She does not disappoint, but the pleasant surprise was how compelling De Stefano is here, tender and moving in ways he is not always when paired with Callas, as he so often was. The sound is not up to Decca's best for the era, quite clear and open at times, but often muffled, and there is obvious wear on the tapes. Still, Decca was doing great work at the time, and this only suffers by comparison to the Decca engineers' best efforts. Well worth owning, a treat really.
4 de 4 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Simply the best! 13 de junio de 2012
Por John C. Wood - Publicado en Amazon.com
This is the most magnificent recording of this opera ever to be produced. Dating from two recording session in 1972, London/Decca brought back to the studio the most successful bel canto trio to have made recordings.

It is immediatly apparent from the first moments of the Overture, that Bonynge has a real feeling for the drama, beauty, and fun that is in the score. His tempos are often on the more expansive side, but they are always crisp, and very raely does one wish for a faster reading.

In fact, the unusually slow (but not sluggish) speed for the Act II duet "Venti Scudi" allows the full glory of Pavarotti's voice to shine through, his command of legato and smooth, rich velvety tone made more imprssive than in a more clipped speed. Something else that comes through so well on this recording is Pavarotti's perfect use of tone color and shading, along with his magical use of language to express every emotion so distinctly, that one could even understand the Italian without the Libretto!

Dame Joan is another matter, however. While her top notes (notably the high D's) show no sign of wear and tear, her upper-middle register does very slightly. It is interesting that just three years before this recording, she made what is arguably the greatest recording of her life in La Fille Du Regiment, with many of the same cast members. There, her tone was unimaginably bright and sheer, with nearly every syllable well articulated, something she usually had trouble doing. Here, she covers many consanants with an open vowel-like sound, to produce a magnificent tone, to be sure, but a warmer, older sounding one. But it is still as glorious as ever, and perhaps more so, and not one drop of her stupendous coloratura ability has been lost, no one could sing it quite like this! Add to this her insight into Adina which is quite good, if just a little beneath the rest of the singers.

Both Sutherland and Pavorotti are inspired to some fine comic acting, and some wonderful introspective moments too, by the first-rate singing and acting of Spiro Malas and Dominic Cossa.

Malas makes a superb Dulcamara, with all his blustery bravado and excellent Italian. His tone is a little gritty, but this is never in any way intrusive.

Cossa makes a fine Belcore, a little strained in coloratura and a little thin sounding, but also with magnificent vocal acting, and firm straightforward tone.

All in all, while this may seem a critical review, it is not. Every singer is first rate, very individual, and characterful. Even the much-touted Alagna versions cannot quite match the excellence of this recording, which is simply the best!
6 de 7 personas piensan que la opinión es útil
4.0 de un máximo de 5 estrellas Not a Favorite 14 de agosto de 2009
Por Virginia Opera Fan - Publicado en Amazon.com
Formato: CD de audio
In this recording, made in 1955, the lyrical quality of di Stefano's singing was taking a hit from his tendency to take on heavier roles. Even so, his singing of "Una furtiva lagrima" is very good indeed. Hilde Gueden is an interesting choice for Adina. She scoops too much for good bel canto singing but the tone is always easy on the ear. Capecchi swaggers nicely as Belcore and Corena's traditionally buffo Dulcamara is well sung. Molinari-Pradelli keeps things moving without displaying the affection for the piece that Serafin shows in his EMI effort of roughly the same period and gets good playing from the Maggio Musicale forces.

Typical for its time, the recording is cut, including a big excision after the discovery of Nemorino's inheritance. The sound is definitely showing its age. Ensemble climaxes tend to distort and the stereo sound is not very well organized - not surprising given that Victor Olof, the producer, was not convinced of the need for stereophonic sound at the time. (John Culshaw records in his memoirs that as Olof's assistant, he was assigned to development of stereophonic opera, a task Olof considered "of no importance.")

I had not heard this venerable recording since its incarnation on London's Opera Treasury years ago. It was good to hear it again, but if you are only buying one recording, I suggest Decca's 70s production with Pavarotti's golden toned Nemorino, despite Sutherland's droopy Adina and lower male voices that are only so-so. It is complete and in good sound.


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