- Tapa blanda: 600 páginas
- Editor: Northeastern Univ Pr; Edición: NORTHEASTERN UN. (1 de mayo de 1986)
- Idioma: Inglés
- ISBN-10: 093035091X
- ISBN-13: 978-0930350918
- Clasificación en los más vendidos de Amazon: nº669.345 en Libros en idiomas extranjeros (Ver el Top 100 en Libros en idiomas extranjeros)
Frame Analysis: Propaganda Plays of the Woman Suffrage Movement: An Essay on the Organization of Experience (Inglés) Tapa blanda – may 1986
Los clientes que compraron este producto también compraron
Descripción del producto
Frame Analysis is a rich, full, exceedingly complex book based on familiar data: clippings, cartoons, novels, vignettes from the cinema and legitimate stage. The argument rests on distinctions, on the one hand, between what is taken to be real from the perspective of the observer in any situation and actual occurrence and, on the other, between fabrication, internal and sometimes collusive misinterpretation of a situation by one person for another, and simple errors in framing and self-induced alterations. "American Journal of Sociology""
Reseña del editor
Erving Goffman will influence the thinking and perceptions of generations to come. In Frame Analysis, the brilliant theorist writes about the ways in which people determine their answers to the questions What is going on here? and Under what circumstances do we think things are real? "Ver Descripción del producto
No es necesario ningún dispositivo Kindle. Descárgate una de las apps de Kindle gratuitas para comenzar a leer libros Kindle en tu smartphone, tablet u ordenador.
Obtén la app gratuita:
Detalles del producto
Opiniones de clientes
Opiniones de clientes más útiles en Amazon.com (beta)
Frame Analysis is very long, dense and at times a rather trying and difficult read. Goffman employs a plethora of concepts couched within a multitude of frames from which the reader or `student' can view the ever complex and complicated social world. The most distinctive concepts (and important in terms of this text) however include the `frame,' `primary framework,' `keying,' and `fabrications.' Goffman defines a `frame' as, a collectivity of `definitions of situations' that together govern social events and our subjective involvement in them. A `primary framework' then provides meaning to events that would otherwise be meaningless and consists of two classes, "natural and social." The "natural" class concerns frames that are "purely physical" (e.g. Goffman provides "the state of weather as given in a report" as an example). "Social frameworks" on the other hand provide a basis for understanding events that include agency, aim, will, and controlling effort of human intelligence.
`Keying' consists of an "openly admitted" transformation of untransformed activity and concerns a systematic reworking of something that is already meaningful within the primary framework, therefore enabling social actors to determine what it is that they think is really going on (e.g., Goffman lists the following as basic keys employed in our society, `make-believe,' `contests,' `ceremonials,' `technical redoings,' and `regroupings'). For instance, style (an example of a keying): consists of features of particular social actors who then through "the maintenance of expressive identifiably" systematically transform or modify a strip of activity. `Fabrications,' like keying, consists of a reworking of something that is already meaningful within the primary framework but unlike keying concerns the intentional effort of one or more persons to manage activity so that one or more individuals will garner a false belief about the definition of the situation. A "strip of activity" then is perceived by social actors in terms of the rules of a primary framework (social or natural) and that the perception of such activity provides a model for two basic transformations (keying and/or fabrication). These organizational premises then sustained in both activity and the mind of the actor, collectively comprising what Goffman calls the "frame of the activity."
The "frame of activity" contains the subjective aspects of social life whereby human actors constantly adjust their behavior based on the actions (and subsequent interpretations) given off by other actors. An empirical examination of meaningful activities taking place within the frame of activity as outlined by Goffman in his nearly six hundred page masterpiece allows us to then develop a very basic understanding of the social production of reality. This book is not recommended for the novice sociologist but is geared for the more serious student (e.g. those considering graduate school or those in already in graduate school). A more suitable `beginners' Goffman book might be The Presentation of Self in Everyday Life (1959) which provides a less systematic (and theoretical) approach toward the mundane interaction in everyday life.
SUGGESTIONS FOR FURTHER READING
Blumer, Herbert. 1969. Symbolic Interactionism. Englewood Cliffs, NJ: Prentice Hall.
Brissett, Dennis and Charles Edgle (eds). 1990. Life as Theater: A Dramaturgical Source Book. New York, NY: Aldine de Gruyter.
Goffman, Erving. 1959. The Presentation of Self in Everyday Life. New York, NY:Doubleday Press.
Lofland, John (ed). 1978. Interaction in Everyday Life. Beverly Hills, CA: University of California Press.
The way this topic is developed, however, is by an amazingly detailed discussion of example of incidents where people dramatically misunderstand the situations they find themselves in, either by mistake, or because they are induced into doing it by others who set out to con or fool them. One of the most fun things about this book is the sources of the examples. The most memorable are news clippings apt to be filed under "Odd News", with tales about con men, college activists, the royal family and such, which were obviously thrown into the paper for comic relief, and make the book enormous fun to grab and skim through just for the stories. Goffman's introduction goes as far to label his selection methodology, literally, as a mockery of representative sampling.
But there's a method here. The stories were newsworthy precisely because they were extraordinary ocurrences; and Goffman's approach is to iluminate normality by examining situations that depart dramatically from it. He develops a series of very technical concepts to analyse at great depth what's going on in these situations, the central ones being "frame", "keying", "fabrication". He applies these concepts to drama, conversation and deception, among other things.
The funniest thing about this book, however, is the contrast between Goffman's serious, academic tone and the silliness of a lot of the material he's covering. A contrast which one can tell he played up.