- Tapa dura: 624 páginas
- Editor: Simon & Schuster (17 de octubre de 2017)
- Idioma: Inglés
- ISBN-10: 1501139150
- ISBN-13: 978-1501139154
- Valoración media de los clientes: 2 opiniones de clientes
- Clasificación en los más vendidos de Amazon: nº2.128 en Libros en idiomas extranjeros (Ver el Top 100 en Libros en idiomas extranjeros)
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Leonardo Da Vinci (Inglés) Tapa dura – 17 oct 2017
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"Majestic . . . Isaacson takes on another complex, giant figure and transforms him into someone we can recognize. . . . Totally enthralling, masterful, and passionate."
--Kirkus Reviews, starred review
"Encompassing in its coverage, robust in its artistic explanations, yet written in a smart, conversational tone, this is both a solid introduction to the man and a sweeping saga of his genius."
--Booklist, starred review
"A fresh and enthusiastic reading of the extraordinary da Vinci notebooks, written in a way that makes them both accessible and contemporary. Absorbing, enlightening and always engaging."
--Miranda Seymour, author of Mary Shelley
"As always, [Isaacson] writes with a strongly synthesizing intelligence across a tremendous range; the result is a valuable introduction to a complex subject. . . . Beneath its diligent research, the book is a study in creativity: how to define it, how to achieve it. . . . Most important, Isaacson tells a powerful story of an exhilarating mind and life."
--The New Yorker
"To read this magnificent biography of Leonardo da Vinci is to take a tour through the life and works of one of the most extraordinary human beings of all time and in the company of the most engaging, informed, and insightful guide imaginable. Walter Isaacson is at once a true scholar and a spellbinding writer. And what a wealth of lessons there are to be learned in these pages."
--David McCullough, Pulitzer Prize-winning author of The Wright Brothers and 1776
"Illuminating . . . This is a monumental tribute to a titanic figure."
--Publishers Weekly, starred review
"He comes to life in all his remarkable brilliance and oddity in Walter Isaacson's ambitious new biography . . . a vigorous, insightful portrait of the world's most famous portraitist...Isaacson's purpose is a thorough synthesis, which he achieves with flair."
--The Washington Post
"Monumental . . . Leonardo led an astonishingly interesting eventful life. And Isaacson brilliantly captures its essence."
--The Toronto Star
"A full and engrossing profile of the artist . . . The author moves fluidly between the scientific inquiries of Leonardo's notebooks and the artistic achievements in his sketchbooks, and carries the same themes, such as the artist's boundless curiosity and inquiry, through them in a way that does not seem too facile or overapplied."
--East Hampton Star
"Exuberant . . . a richly illustrated ride through the artist's life . . . a fascinating, bonbon-size tribute to the man who thought to ask."
Reseña del editor
The #1 New York Times bestseller
“A powerful story of an exhilarating mind and life...a study in creativity: how to define it, how to achieve it.” —The New Yorker
“Vigorous, insightful.” —The Washington Post
“A masterpiece.” —San Francisco Chronicle
“Luminous.” —The Daily Beast
He was history’s most creative genius. What secrets can he teach us?
The author of the acclaimed bestsellers Steve Jobs, Einstein, and Benjamin Franklin brings Leonardo da Vinci to life in this exciting new biography.
Based on thousands of pages from Leonardo’s astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo’s genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy.
He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history’s most creative genius.
His creativity, like that of other great innovators, came from having wide-ranging passions. He peeled flesh off the faces of cadavers, drew the muscles that move the lips, and then painted history’s most memorable smile. He explored the math of optics, showed how light rays strike the cornea, and produced illusions of changing perspectives in The Last Supper. Isaacson also describes how Leonardo’s lifelong enthusiasm for staging theatrical productions informed his paintings and inventions.
Leonardo’s delight at combining diverse passions remains the ultimate recipe for creativity. So, too, does his ease at being a bit of a misfit: illegitimate, gay, vegetarian, left-handed, easily distracted, and at times heretical. His life should remind us of the importance of instilling, both in ourselves and our children, not just received knowledge but a willingness to question it—to be imaginative and, like talented misfits and rebels in any era, to think different.
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What Isaacson wants to understand is what makes some men and women people of genius. Not the silly way genius is portrayed in the movie Amadeus, in which it is simply some innate talent, but the character traits which enable rare individuals with the capacity to permanently change the world with the mere power of their mind.
With that goal in mind, one is ready to appreciate Isaacson’s Leonardo Da Vinci. The book begins discussing his early achievements in art and the investigation of nature within the first forty pages, fairly quickly for a 525 page tome. And the book is dominated by appreciations of his work, both artistic and scientific (to use a modern distinction unrecognized by Leonardo). Along the way there is a wonderful resonance between Isaacson describing the characteristics of Leonardo that led to his peculiar type of genius and then seeing that genus instantiated in a particular unpublished treatise on anatomy or in a work of art such as the Mona Lisa.
If you are interested in this quest, in both seeing what led to Leonardo being a genius, and then seeing that genius expressed in his creative work, you will love Isaacson’s Da Vinci. Many biographers prefer to dwell on a lengthy account of the culture and history of the time and focus on the personal life of their subject. Others choose to try to psychoanalyze their subject and allow the reader to understand the subconscious drives which led to their accomplishments.
None of that is to be found in Isaacson’s work. Though a summary doesn’t do the book justice, Isaacson sees Leonardo as unusually perceptive of the world around him, with an insatiable curiosity, a proper understanding of how to balance theory and experiment and a disdain for doctrines handed on by the past. These traits, and others, led him to understand the effect of light in creating the illusion of three dimensions in painting, which muscles are used to smile, how men and women might one day be able to fly and all the many other prescient things expressed in his art and notebooks.
If there is anything to criticize, it is that Isaacson is almost universally positive, almost effusively, about Leonardo. But this is because the book focuses mostly on the factors that led to this genius and the actual fruits of his intellect. Admittedly, it is hard to be critical of those aspects of Leonardo’s life.
One final point to make to potential readers: Isaacson writes in clear and simple English. Though the book is 525 pages long I read it in less than a day. If he had chosen to adopt the tone of many academics this would have been a far less pleasurable, and longer, read.
Isaacson set out to determine both what made Leonardo a genius and why he is considered one. While every reader can form their own opinion as to whether he was successful, I think both the importance of the quest and its achievement in the case of Leonardo will be doubted by few readers of this book.
Using an example from Freud, Isaacson humbly channels the difficulty of trying to psychoanalyze a genius who lived generations ago; but the reliance of the sketches and work-in-progress, citations, and a powerful narration able to 'connect-the-dots' makes for a sensitive portrayal. The reliance on the sketches as the primary references to build the narrative of Leonardo's thought process is not only unique but also challenges a reader to think beyond finished product and enjoy and respect the process. The final chapter on potential lessons for a reader - sort of life lessons from Leonardo - is in itself well worth the book.
The book (physical) is a joy to hold; one wishes that the publisher had created a pull out of the wonderful timeline that the book starts off with.. some of the photos could have made into landscape for readers to better appreciate the detail; a reader is likely to significantly benefit from investing in Leonardo da Vinci: Complete Paintings and Drawings . One will be able to better appreciate the process and the product with these two wonderful books in hand.