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Moulin Rouge [Blu-ray]

4.3 de un máximo de 5 estrellas 4 opiniones de clientes

Precio recomendado: EUR 11,99
Precio: EUR 9,62
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Descripción del producto

Descripción del producto

En París a finales del siglo XIX el pintor Henri de Toulouse-Lautrec (José Ferrer) visita con frecuencia el Moulin Rouge, donde pasa el tiempo bebiendo y dibujando bosquejos de los bailarines y cantantes. A pesar de ser miembro de una familia aristócrata, Henri tiene una vida privada muy infeliz en consecuencia de una malformación en las piernas debido a una caída en su infancia. Una noche volviendo a casa se cruza con Marie (Colette Marchand), una joven que le pide ayuda.

Sinopsis

En París a finales del siglo XIX el pintor Henri de Toulouse-Lautrec visita con frecuencia el Moulin Rouge, donde pasa el tiempo bebiendo y dibujando bosquejos de los bailarines y cantantes.


Detalles del producto

  • Actores: Jose Ferrer, Colette Marchand, Zsa Zsa Gabor, Suzanne Flon, Claude Nollier
  • Directores: John Huston
  • Productores: John Huston, Jack Clayton, James Woolf, John Woolf
  • Formato: Blu-ray, Color, Pantalla completa, PAL, Subtitulado
  • Audio: Inglés (DTS-HD 2.0), Castellano (Dolby Digital 2.0)
  • Subtítulos: Castellano
  • Región: Región B (Más información sobre Formatos de Blu-ray.)
  • Relación de aspecto: 1.33:1
  • Número de discos: 1
  • Calificación española (ICAA): Apta para todos los públicos
  • Estudio: Producciones JRB
  • Fecha de lanzamiento: 28 ago 2013
  • Duración: 120 minutos
  • Valoración media de los clientes: 4.2 de un máximo de 5 estrellas  Ver todas las opiniones (4 opiniones de clientes)
  • ASIN: B00EYO48JM
  • Clasificación en los más vendidos de Amazon: nº13.583 en Cine y Series TV (Ver el Top 100 en Cine y Series TV)

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Opiniones de clientes

4.3 de un máximo de 5 estrellas
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Principales opiniones de clientes

Formato: Blu-ray Compra verificada
Un clasico de John Houston,ambientada en los tiempos del Moulin Rouge parisino de finales del siglo diecinueve y comienzos del veinte,buen argumento y los numeros musicales excelentes buen reparto una buena pelicula,para amantes del musical de siempre.la calidad del disco es buena,se nota algun granillo pero puede ser normal,decir que me alegra tener este clasico en este formato,tambien lo dispongo en dvd,lo cual las comparare y ver las diferencias de calidad de uno y otro,
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Formato: Blu-ray Compra verificada
Sin necesidad de efectos especiales actuales, con los medios de 1952, John Huston consigue meternos en el Moulin Rouge de finales del siglo XIX y José Ferrer es Toulouse_Lautrec. Una magnífica película que ganó dos merecidos Oscar, ahora en blu-ray doblada al castellano y subtitulada, pero manteniendo su formato original de pantalla 4/3. Estupenda para proyectarla en tu cine en casa y disfrutar del cine 100%
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Formato: Blu-ray Compra verificada
Buena imagen sin pasarse. Se ve mejor que el DVD, sin duda, pero no es calidad remasterizada ni restaurada. En cualquier caso, merece la pena disfrutar de la pelicula.
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Formato: Blu-ray Compra verificada
Esta película pertenece al grupo de las clásicas. En estas épocas muchas veces se hicieron películas con un contenido más profundo que las actuales.
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Opiniones de clientes más útiles en Amazon.com (beta)

Amazon.com: 4.3 de un máximo de 5 estrellas 101 opiniones
97 de 99 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas No Absinthe of Malice? 11 de febrero de 2004
Por Robert Morris - Publicado en Amazon.com
Formato: Cinta VHS
Many of those who have seen the film directed by Baz Luhrmann and starring Nicole Kidman (2001) may not know about this film which appeared about 50 years earlier. Based on Pierre LaMure's biographical novel and directed by John Huston, this Moulin Rouge focuses entirely on the life of Henri de Toulouse-Lautrec. Two years previously, Jose Ferrer received an Academy Award for leading actor in Cyrano de Bergerac. He was nominated again in 1952 for his portrayal of Toulouse Lautrec (he also plays the painter's father, Comte Alphonse de Toulouse-Lautrec, a small but significant role in this film), losing to Gary Cooper (High Noon).

How interesting that each of Ferrer's two greatest performances on-screen is of a French aristocrat with a significant physical deformity who encounters only failure and despair in his love life. In any event, Ferrer is brilliant in a cast of consistently high quality. As chanteuse Jane Avril, Zsa Zsa Gabor essentially plays herself: beautiful, vain, melodramatic, self-absorbed, good-hearted, and charming. Also noteworthy are Colette Marshand (as Marie Charlet), Suzanne Flon (Myrianne Haven), Katherine Kath (La Goulue), and Christopher Lee (Georges Seurat). Although nominated for several Academy Awards, this film received only two (for Color Art Direction and Color Costume Design), both richly deserved. Huston skillfully directs an excellent cast while blending seamlessly Oswald Morris' cinematography with George Auric's musical score.

Born in 1864, Toulouse-Lautrec spent his childhood years on family estates near Albi, with Paris becoming his home in 1872. The victim of a genetic bone condition that made him vulnerable to fractures, he walked with a cane by age thirteen and grew to be only four feet eleven inches tall. One example of Huston's genius is the fact that much of the film is shot from Toulouse-Lautrec's perspective. That is, we see the aristocrat-artist's world almost literally through his eyes as he sits and sketches in the music hall, then drags himself to his stunted feet and slowly, painfully resumes his late-night debauchery.

In frail health throughout his adult years, Toulouse-Lautrec exacerbated his situation with alcoholism which no doubt hastened his death in 1901. Lying in bed and near death, he learns from his astonished father that his paintings will be on exhibition at the Louvre. ("The Louvre, Henri, the Louvre! I did not know, Henri, I did not understand....") This final scene reminds me of the final scene in Goodbye, Mr. Chips (1939), starring Robert Donat. Both Toulouse-Lautrec and Charles Chipping are near death, barely conscious. Both imagine being visited by those they once knew, bidding them a fond farewell. For Toulouse-Lautrec, the performers from the Moulin Rouge; for Chipping, many of the boys he taught over a period of several decades at Brookfield School.

This film is a feast for the eyes. At least for about two hours, it enables us to return to Paris near the end of the 19th century, to a world which remains vivid in the great art of Seaurat, Renoir, Degas, Monet, Manet, Bonnard....and Henri de Toulouse-Lautrec.
31 de 32 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas The Real Lautrec & Moulin Rouge! 19 de abril de 2006
Por Craig Connell - Publicado en Amazon.com
Formato: DVD
This is one of the most interesting biographies I've ever seen on film.

Until I acquired the DVD, I never fully realized how beautiful this film looked, either. I was stunned to see how spectacular the colors were and how much it helped capture the flavor of the dance hall and the cobblestone streets of France 100 years ago.....and, of course, Tolouse-Lautrec's great artwork. This movie is a feast for the eyes.

The DVD also offers an opportunity to do something I suggest other fans of this movie try: use the English subtitles. This way, you don't have to strain to understand the French accents, notably Colette Marchand's, and it makes this intriguing story even better.

Story-wise, it's a bit of a soap opera but one I still found fascinating, thanks mainly to Lautrec's dialog. He had some really interesting things to say, mostly in a cynical way. That cynicism, unfortunately, caught up with him in the end. Jose Ferrer captured this tortured soul about as well as any actor could expect to do. I'm sorry he didn't win an Academy Award for this performance.

Viewers who only saw the more recent "Moulin Rouge!" missed the real story. That movie was a farce; this is the real thing.
21 de 24 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Why not on DVD 8 de agosto de 2002
Por Un cliente - Publicado en Amazon.com
Formato: Cinta VHS
When you compare this film with the current remake you must wonder why the remake. It will be a real loss to the community of those who collect great films if this is not made available on DVD. What must one do to encourage the DVD effort?
13 de 14 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas A Touching Masterpiece 17 de febrero de 2002
Por Un cliente - Publicado en Amazon.com
Formato: Cinta VHS Compra verificada
The 1952 version of Moulin Rouge is truly a masterpiece. It captures the struggles and the life of Henri de Toulouse-Lautrec beautifully. I found the movie profoundly touching as it displayed the pain felt by Henri as he searched for love and friendship, but could not find any that did not prey on his money. It also showed how he made his famous lithographs and paintings. I encourage everyone to see this movie... and to view the art of Toulouse-Lautrec as well!!!
15 de 17 personas piensan que la opinión es útil
4.0 de un máximo de 5 estrellas Flawed but gorgeous Huston classic 19 de agosto de 2004
Por Great Movie Addict - Publicado en Amazon.com
Formato: DVD
The characters and plot of Huston's 1952 ground-breaker can't be confused with Nicole Kidman's 2001 contrived schlock, nor will this revived classic be to everyone's taste. It's strictly an art-house product, though it earned big bucks in '52 and much critical acclaim. Like many Huston works, it refuses to become dated. Still, in hindsight, Ferrer's Toulouse-Lautrec is a brilliant but oddly remote portrayal (an odd mix that characterized Ferrer). The real Lautrec was an artistic outlaw of his day, a complex, talented, intractable rebel whose work was often considered pornographic (if only those critics could see Nicole's movies!) but who helped change 19th century sensibilities and even invented new printing processes. I think Ferrer plays him a little hard, but many might disagree. The editing seems rushed and choppy (having been finished mere hours before the film's debut); Suzanne Flon's playing of Myriamme flatly steals female honors from Colette Marchand, who wildly overplays Marie Charlet. Zsa Zsa Gabor's singing is flagrantly dubbed -- but "Bubbles, Bangles" is still a hauntingly lovely tune. Flaws aside, this movie has many seriously brilliant moments. Contrary to most Hollywood bio's of the era, Huston's Lautrec is unsanitized and unglamorous. The color is simply terrific, with many shots worthy of a gallery showing. Huston flaunted Technicolor's usual rules, creating images the way artists use paint, though the result often looks more like Matisse than Lautrec. I noted a bit of flicker in some sequences, visible on 3 DVD players. But few films approach the immersive color of many M.R. images, originally processed in British Technicolor. Some disappointments: with so much fascinating history behind the film's crew and the story's real-life characters, the only extra is a poorly rendered trailer. Some segments of audio are distorted. And the script wasn't all that great (though it easily trounces the 2001 insult). Not Huston's best film, but a landmark that seldom fails to fascinate and which is essential to every film buff's collection.


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