- Disco de vinilo (23 de abril de 2007)
- Número de discos: 1
- Formato: Importación
- Sello: Universal Music Division Polydor
- ASIN: B000NDDT6Q
- Disponible también en: CD de audio | Disco de vinilo | Música MP3
- Clasificación en los más vendidos de Amazon: nº37.363 en Música (Ver el Top 100 en Música)
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The Reminder -Lp- [Vinilo] Importación
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Disco de vinilo, Importación, 23 abr 2007
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Descripción del producto
Descripción del producto
Edición en vinilo del nuevo album de Feist 'The Reminder'
Lista de canciones:
1. So Sorry
2. I Feel It All
3. My Moon My Man
4. The Park
5. The Water
7. Past In Present
8. The Limit To Your Love
10. Brandy Alexander
12. Honey Honey
13. How My Heart Behaves
14. Honey Honey (Bonus Track)
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Listas de canciones
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Opiniones de clientes más útiles en Amazon.com (beta)
Remember the "1234" Busby Berkely-inspired video of Feist from Youtube, that people seemed to enjoy so much? If you haven't seen it, check it out -- it is pure joy wrapped in a 3 minute package. That song is also a minor musical masterpiece, with guitar, banjo, a chorus of voices, quiet bits, loud joyful bits -- put together in a way that things are always changing enough to keep the ear from being bored at any time.
When I think of the Beatles work, or XTC, or James Taylor, Sting, Paul Simon, I think of music that is put together in a very entertaining and craftsmanlike way. A primitive like Bob Dylan (don't get me wrong, I love a lot of what Bob has done, but it is musically primitive) will take a simple three chord verse, then repeat it over and over with different lyrics. The greatest songwriters make music that builds, crescendos, then rolls back, with themes and variations, and little musical bridges (or "middle eights," as the Beatles used to call them). Feist is writing music like that, at least some of the time.
Oh, there are a few quieter numbers that almost approach dirges. I'm not much fond of those. Much of their fault lies in the underproduction -- one of them sounds as if it was recorded in Feist's garden, with her simply strumming her guitar and singing (later joined briefly by brass instruments and perhaps saxophone, but not much else). More complexity and attention to detail in the arrangements could have brought much more out of those quiet songs.
I'm not a great analyser of lyrics. Here they are vague enough to be universal. To me they don't always make sense, but that doesn't bother me. "goo goo ga joob" Does that make any sense? No. It doesn't mean it isn't a great lyric. The main thing is that Feist's lyrics are not embarrassing -- they don't take away from the music. And some of her wordplay and vocal phrasing is quite clever.
So my final rating is
Songwriting: 4.5 out of 5
Production: varies from 3 to 5 out of 5, depending on the track.
PS: First review of this album on Amazon! Woot!
Although the album art suggests an early post-modern romantic minimalism and the mix includes more primitive electronic noodling snaking through the tracks, this collection, unlike her previous work, feels less like a perfect, forgotten pop-soul artifact from 1980, with fresher textures and more ambitious stabs at different styles than those featured on 'Let It Die.' There is a stronger, more aggressive verve to the songs that attempt to rock, such as "I Feel It All" (all breathless, driving passion and ringing fills)," "Past In Present" (tweaking both vintage guitar rock and girl-group influences to best Sheryl Crow at her own derivative game) and even reviving the traditional Nina Simone vehicle, "Sea Lion Woman" (here featuring a catchy, early new-wave vibe and stellar siren guitar wail at the breaks). For ballad lovers, there's yet another parcel of original tender heartbreakers, including "The Park" and "This Is How My Heart Behaves," plus a handful of brilliant potential chart singles, such as the simple but sizzling "My Moon, My Man," the tremulous, beautifully arranged "Limit To Your Love," and "1-2-3-4," essentially a joyful, Burt Bacharach-styled campfire sing-along for nostalgic adults. (Don't miss the charming video on YouTube.)
If there are any modest failings to the album, it's perhaps that one or two of her more precious efforts, although lovely, feel almost contextually unnecessary and the song sequencing occasionally delivers tunes with common arrangement motifs that begin to suggest just a touch of redundancy, but there are more than enough diverse, instantly memorable classics to make 'The Reminder' a must for any collection. In this plastic era of disposable personalities passing as music idols, likely among the least talented, most prefabricated crop popular music has seen since just prior to the Beatles, Feist is proving a viable threat to the current establishment. More power to her, I say.
Feist currently occupies a musical domain that is entirely her own. She was a major member of the Canadian independent music collective Broken Social Scene, and has lived in France for the past several years. Formerly a punk singer in her teenage years, and now a Candian-French indie rock chanteuse. There's no perfect way to describe Feist; her unique style is best understood by listening to her albums. This has been one of the top sellers on Amazon for several months now. In ten years, I am certain that this will be considered one of the most relevant albums of this time period. Feist is changing the way people think about pop music. One of the top tags for this product is Bjork, and Feist has that same pioneering spirit, although she expresses it in a form much more accessible to listeners. Just buy this album - it'll be ten dollars well spent.