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Romantic Arias Audiolibro, CD, Importación

4.5 de un máximo de 5 estrellas 2 opiniones de clientes

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Nuevo desde Usado desde
CD de audio , Audiolibro, CD, 8 abr 2008
"Vuelva a intentarlo"
EUR 10,96
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Descripción del producto

Descripción del producto

DESCRIPCIÓN:
Este tenor presenta su primer disco con Decca, con el cual acaba de firmar un contrato en exclusiva. Es uno de los tenores más prometedores del momento. COn una voz llena, extensa y flexible, es capaz de cantar con gran sutileza papeles de Mozart, Lied o una apasionanda Carmen así como los principales papeles wagnerianos. Un 'todo terreno' de la lírica.


ARTISTAS:
Jonas Kaufmann/Prague/Armiliato

Opinión

Lista de canciones:
1. "Che gelida manina"
2. La fleur que tu m'avais jetée
3. Ach, so fromm
4. "E lucevan le stelle"
5. Io l'ho perduta... Io la vidi, a suo sorriso
6. "Nein, länger trag' ich nicht die Quälen" - "Durch die Wälder, durch die Auen"
7. Lunge da lei...De miei bollenti spiriti...O mio rimorso
8. Je suis seul...Ah, fuyez, douce image
9. "Ella mi fu rapita...Parmi veder le lagrime"
10. Quel trouble inconnu...Salut! Demeure chaste et pure
11. "Morgenlich leuchtend"
12. Invocation à la Nature. "Nature immense"
13. "Pourquoi me réveiller, ô souffle du printemps?"


Detalles del producto

  • CD de audio (8 de abril de 2008)
  • Número de discos: 1
  • Formato: Audiolibro, CD, Importación
  • Sello: Decca Music Group Ltd.
  • ASIN: B000YKE87W
  • Disponible también en: CD de audio
  • Valoración media de los clientes: 4.5 de un máximo de 5 estrellas  Ver todas las opiniones (2 opiniones de clientes)
  • Clasificación en los más vendidos de Amazon:
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Opiniones de clientes

4.5 de un máximo de 5 estrellas
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Formato: CD de audio
Jonas Kaufmann (tenor) con Marco Armiliato dirigiendo la Prague PO nos ofrecen un recital de arias de Puccini, Bizet, Flotow, Verdi, Weber, Massenet, Gounod, Wagner y Berlioz durante 68 minutos. Kaufmann parece iguamente cómodo cantando en francés o italiano. Puede pasar como tenor lírico (Flotow) pero en realidad es más un tenor de forza (más Del Monaco que Wunderlich), a pesar de algún 'do' en Gounod que suena a falsetto. De una voz hermosa, viril y de tonos oscuros como baritonal, un legato suave, una propulsión que le permite alcanzar notas altas sin esfuerzo y con excelente dicción, este tenor está conquistando todos los teatros y no está encasillado en repertorio germánico como prueba su discografía. La orquesta checa le ofrece un manto de lujo sobre el que su voz flota con potencia y/o delicadeza.
Comentario A 3 personas les ha parecido esto útil. ¿Esta opinión te ha parecido útil? No Enviando comentario...
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Formato: CD de audio Compra verificada
me encanta cómo canta este hombreeee, qué perfección en la técnica. me gusta la rapidez de sus servicios, la variedad y la facilidad
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Opiniones de clientes más útiles en Amazon.com (beta)

Amazon.com: 4.6 de un máximo de 5 estrellas 74 opiniones
32 de 32 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas A Promising, Committed Artist with a wonderful Voice 10 de julio de 2008
Por The Cultural Observer - Publicado en Amazon.com
Formato: CD de audio
Large-voiced tenors are in short supply today, a phenomenon that most likely traces its origin to the vocal education system that stresses importance on the purity of tone so favored in Mozart and Handel's operas that are in such a vogue in today's classical music scene. However beautiful and well-controlled many of today's tenor voices are, this does not produce the thrilling electricity that you can get from voices that once rang full and true in a manner similar to that of the singers from an earlier part of the century like Ludwig Suthaus, Ramon Vinay, and Max Lorenz in the German wing and Franco Corelli and Carlo Bergonzi in the Italian department. Fortunately, a few stars do emerge from this low calorie vocal rubble who can prove themselves successors to the crown that has for so long been left to the hands of many a tenor who lacks not only the heft but also the imagination to apply that magical touch that place the stamp on the work of a star. Jonas Kaufmann is one such singer, and it is most fortunate that Decca took the incentive to hire this tenor for a long awaited recital CD featuring his work in a variety of repertory that not only amazes the listener with this artist's versatility, but also with his outstanding commitment.

Perhaps he is not idiomatic in every sense of the word. His work in Puccini hardly describes the plush, Italianate cushion that characterizes the work of tenors like Bergonzi, nor does his Verdi raise any flags that indicate the second coming of a Domingo or a Carreras. However, its his ability to produce a consistently charming and aesthetically beguiling interpretation of these roles outside his natural fach that makes him such an irresistible find. His voice is perhaps better suited (due to its dark, large timbre) to the more heroic German roles, but we would be poorer if we didn't hear what magic he could conjure with his singing outside roles like Walther.

A truly outstanding debut CD, and from the previews taken from the Meistersinger and Freischutz excerpts, I certainly hope to hear more from this tenor that will edge him slowly towards the roles where I believe his voice will truly shine--Siegmund, Lohengrin, Parsifal, Tristan, and Siegfried.
40 de 41 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas New interesting voice 18 de marzo de 2008
Por old-phonographs - Publicado en Amazon.com
Compra verificada
I discovered Jonas Kaufmann by accident searching the internet. What a wonderful surprise to hear a Tenor voice unlike any I have ever heard before. There are a couple of moments on this CD that are so wonderful I had to listen to them multiple times on my first hearing. The Manon and the Meistersinger arias are so musical and heart felt. His dark masculine sound threw me at first, but I love this album and I love his voice. I think we will hear much from him in the future.
25 de 25 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Refreshing detour 11 de mayo de 2008
Por BG SD 48329 - Publicado en Amazon.com
Formato: CD de audio
It is wonderful to hear tenor arias sung with a darker, masculine tone; it's wonderful and refreshing. His high notes are solid; he translates from forte to pianissimo with ease, on key. I have listened to this album multiple times and will purchase future Kaufmann releases.
19 de 19 personas piensan que la opinión es útil
4.0 de un máximo de 5 estrellas More Herr Kaufmann, danke! 5 de mayo de 2008
Por G P Padillo - Publicado en Amazon.com
Formato: CD de audio Compra verificada
I've taken a different - or at least partially opposing point of view regarding this album than a number of my friends. Initially, I, must admit I was slightly disappointed, expecting something more . . . but it is fast (very fast) growing on me. I have to laugh at some public forum comments on this artist as being "Male Netrebko."

Most early major label recordings of any artist always feature them in too familiar works pitting them against the memories (real or imagined) of one's favorite singers and the incomparable manner in which they sang such chestnuts.

However, the fact remains that Kaufmann is actually singing some of these roles and I think, ultimately for both voice and career, he is being absolutely wise in his choice of repertoire and keeping the voice flexible, fresh and free. What a Tannhauser he will make with that sound. Ditto Parsifal, Lohengrin and . . . well, I'm jumping ahead of myself.

The primary reason I think this album is growing on me, however, is that I absolutely LOVE the rather considerable contrast he brings to roles when compared to more "typical" Rodolfos, Fausts, des Grieuxs, Marios and Alfredos. We're living in a magical time for light/lyric tenors but, even despite their distinct sounds and interpretations, they prove to have more uniform timbres presenting less wholly original dramatic spectrum in these roles. I love the individual stamp that any singer can bring to these roles and for that reason am thrilled that as fine and intelligent singer as Herr Kaufmann is he seems to invest something unusual into each of his assignments. For this alone, he rises to the top of the current "youngish" brood.

(For something truly wonderful check out the youtubes of Kaufmann in some of his operetta selections. Wunderbar!)

To these ears, his French and Italian sound fine, if a bit more idiosyncratic than idiomatic. Unlike other reviewers, however, I don't think this is due so much to his accenting these languages in a native German voice, but rather resulting from his naturally darkish hue as well as the substantial weightiness of his voice. In these Italian and lighter French selections, I have come to adore the sound of this voice - as well as the odd mixture of ease and intensity that seems to come through everything he interprets.

Kaufmann's Rodolfo sounds a bit meatier than we've grown accustomed to - and remains the least successful aria on the album. Still, I'm glad to have it as it's aurally intriguing and the likelihood of a studio Boheme with Kaufmann is less than nil, future generations wondering what he might have sounded like get to hear, and (most likely) grateful he ultimately took his considerable gifts into another direction. Still, I can never get enough of good singers trying their voices out in fachs not distinctly their own, even for the sheer "curiosity shop" factor of it all. Kaufmann is no less "curious" to me.

Soon enough will he be excelling as Parsifal, Lohengrin, and other heroic
German roles. I'd love to see/hear him as Max in Freischutz, and some other of the Webber arias that just don't get aired enough. Having Kaufmann in them could probably guarantee some interesting less frequently repertoire choices would sell some seats. I loved his turn in the new Fierrabras - though the production itself often drove me crazy. What the hell, I also want to hear this guy as Peter Grimes - - even if it comes off as (as Sills used to imitate Koussivetsky) "Paeter und Greimez."

I am looking forward to very many more Kaufmann releases!
19 de 19 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Infectious Sense Of Purpose Is Unyielding! 19 de abril de 2008
Por Raymond Vacchino - Publicado en Amazon.com
Formato: CD de audio
Several years ago I had the pleasure of attending a recital Jonas Kaufmann gave in Munich. I had heard about his superb interpretation of Strauss Lieder and when I finally had my ears filled by his compelling voice a sense of revelation and inspiration totally consumed me. Kaufmann's singing of these 'Romantic Arias' conveys such an unequivocal direction of line and beauty of conception. The voice is deep and has the rich, darker quality of a baritone, yet the eloquence he produces is substantial and his range vast, consequently allowing him to attain long-breathed generosity in the middle and higher tenor register. This ability is gloriously conveyed in Massenet's "Manon", ingratiating in tone and pleasingly articulate. As well, Kaufmann provides innate dramatic sensibility and poetically nuanced dynamics especially in the extremely high notes. In Wagner's "Die Meistersinger von Nurnberg..." Kaufmann's operatic grandeur provides us with singing that is radiant, exhilarating and never denying the incandescence of the climaxes. Verdi's "La traviata" tended to lack the necessary light-hearted character in the aria, but without doubt the "Flower Song" from Carmen opens Kaufmann's soul. The phrases have both elegance and intensity, producing a touch of sensuousness in the tone. His gentle pacing of the long ascending finale makes for a spiritual encounter. Kaufmann is, as ever, admirable in the quality of his tone, the clarity of his diction and the conviction of his style. He is a remarkably gifted artist, yet the voice is still young, and Kaufmann is indeed striving to find placement and a sense of future direction, as his personal musical journey continues to captivate us with grandeur, artistic maturity, and anticipation of future magnificant accomplishments.

"It is only a matter of time before Jonas Kaufmann will take his place as one of the world's finest tenors!"
(Jon Vickers)

Author: Raymond Vacchino M.Mus. A.Mus. L.R.S.M. Licentiate (honorary)


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