"Unraveling the Real offers a welcome update to the existing criticism on the genre and some useful speculation as to its future... [T]he literature covered is substantial, and all major critical perspectives are well represented. This is a highly readable and useful book for students, scholars, and others interested in the fantastic literature of Latin America." The Americas, October 2012 "Unraveling the Real is a very readable, succinct introduction to the topic of the fantastic and its primary critics. Duncan presents a review of the texts on the fantastic and applies this trace to individual authors and film directors, narrative strategies, psychological processes and gender issues. Her introduction is effective in establishing the borders and transgressions of the fantastic, and she is not afraid of moving from the literature of and on the fantastic to the questioning of cultural constructs. Her objective to emphasize the analysis of social criticism is an effective approach." Enrique Sacerio-Gari, Bryn Mawr College
Descripción del producto
In literary and cinematic fictions, the fantastic blurs the lines between reality and fantasy. Lacking a consensus on definition, critics often describe the fantastic as supernatural, or similar to, but quite different from fantasy, science fiction, and magical realism. In Unraveling the Real Cynthia Duncan provides a new theoretical framework for discussing how the fantastic explores both metaphysical and socially relevant themes in Spanish American fictions. Duncan deftly shows how authors and artists have used this literary genre to convey marginalized voices as well as critique colonialism, racism, sexism, and classism. Selecting examples from the works of such noted writers as Jorge Luis Borges, Julio Cortazar, and Carlos Fuentes, among others, she shows how capacious the concept is, and why it eludes standard definition. Challenging the notion that the fantastic is escapist in nature, Unraveling the Real shows how the fantastic has been politically engaged throughout the twentieth century, often questioning what is real or unreal.
Presenting a mirror image of reality, the fantastic does not promote a utopian parallel universe but rather challenges the way we think about the world around us and the cultural legacy of colonialism.