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The World of Yesterday (English Edition) de [Zweig, Stefan]
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Descripción del producto


The World of Yesterday is one of the greatest memoirs of the twentieth century, as perfect in its evocation of the world Zweig loved, as it is in its portrayal of how that world was destroyed -- David Hare This absolutely extraordinary book is more than just an autobiography. (...) This is a book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942. That should cover a fair number of you -- Nicholas Lezard His memoir, The World of Yesterday, is one of his best works, a marvellous recapturing of a Europe that Hitler and his thugs destroyed. Zweig seems to have known everyone, and writes about the great figures of his day with insight, sympathy and, most unusually for a writer, modesty -- John Banville One of the canonical European testaments... [Zweig's] life and work tell of the perilous flimsiness of our world of security-a message that many insistently deny, but somehow need to hear -- John Gray New Statesman

Descripción del producto

This Plunkett Lake Press eBook is produced by arrangement with Viking, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC.

The World of Yesterday, mailed to his publisher a few days before Stefan Zweig took his life in 1942, has become a classic of the memoir genre. Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.

Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.

“The best single memoir of Old Vienna by any of the city’s native artists.” — Clive James

“A book that should be read by anyone who is even slightly interested in the creative imagination and the intellectual life, the brute force of history upon individual lives, the possibility of culture and, quite simply, what it meant to be alive between 1881 and 1942.” — The Guardian

“It is not so much a memoir of a life as it is the memento of an age.” — The New Republic

Detalles del producto

  • Formato: Versión Kindle
  • Tamaño del archivo: 14879 KB
  • Longitud de impresión: 500
  • Editor: Plunkett Lake Press (4 de septiembre de 2011)
  • Vendido por: Amazon Media EU S.à r.l.
  • Idioma: Inglés
  • ASIN: B005LY3T4E
  • Texto a voz: Activado
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  • Tipografía mejorada: Activado
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Opiniones de clientes más útiles en (beta) 4.6 de un máximo de 5 estrellas 200 opiniones
133 de 133 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas profoundly civilised 30 de septiembre de 1998
Por Un cliente - Publicado en
Formato: Tapa blanda
This is a wonderful book. Poor Zweig. He was born in 1881, and by 1914 he had become one of Vienna's leading journalists. Liberal, and a lover of culture, he knew everybody who mattered in literature, the arts and the sciences at a time when Vienna was the most civilised city in the world.
The universal joy in 1914 at the outbreak of war appalled him, and he became so unpopular for decrying it that eventually he emigrated to Switzerland, to work for the Red Cross.
He returned to Vienna in 1919, and was eventually 'forgiven' by his now-contrite friends. But when during the '20s he was invited to the UUSR, and he returned saying it was hell, his avantguard friends rejected him again.
He retired to Salzburg. In 1933, on Hitler's accession to power, he warned that Hitler would invade Austria and kill all the Jews. He was disbelieved. He emigrated to Britain, where he was appalled by the complacency of the government. Finally, via New York (where he wrote this book) he emigrated to Rio in Brazil (he doesn't spell it out, but he did this presumably because he thought the UK would fall to the Germans, and he feared being detained in the US as an enemy alien). It was in Rio in 1942, at the height of German power, that he killed himself in despair.
In this beautiful book, Zweig creates a fin de siecle elegy for his youth, but unlike the previous reviewer I do not think he is nostalgic. His regret is for his illusions that art was synonymous with moral goodness, and his despair over the folly of his fellow men. It was not so much the evil of a few that upset him but the lack of wisdom of the many.
I believe that Zweig was the clearest thinker of the 20th Century, the worst century since the 14th, and I believe his book should be required reading for all. He was the Erasmus of our age, so it is no surprise he wrote a biography of Erasmus. The book is written beautifully.
On a small personal note, I have often wondered whether his terminal despair was not aggravated by his divorce and second marriage. Those were unusual events in those days, and he may have felt bereft.
215 de 221 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Why did nobody ever tell me about this book? 26 de julio de 2001
Por Simplicissimus - Publicado en
Formato: Tapa blanda
By far the most poignant book I have ever read (and I read a lot.) Every impression and observation has a heightened importance when you know the author and his wife both killed themselves not long after the book was published during the worst years of WWII. Brilliantly recreates the pre-WWI Europe that disappeared after 1914 and is only now maybe being recreated in an updated style. Wonderfully describes the tumultuous years between the wars and demonstrates the despair of the worst years of WWII. Also where else can you read good things about the AustroHungarian Empire these days? Would highly recommend this book for anyone between the ages of 10 and 100. Why don't they use books like this in high school and college history classes to make the past come alive? Also enjoyable because it tells things like they were at the time before 50 years of revisionist and deconstructed history have twisted everything around. The real tragedy of this story is that Mr. Zweig and his wife did not wait another 18 months before killing themselves. They may not have found it necessary once the Allies started defeating the Axis powers in Europe and the Pacific. Still Mr. Zweig's World of Yesterday was irreparably destroyed and would never return.
96 de 99 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas Remarkable autobiography. 6 de diciembre de 2002
Por Luc REYNAERT - Publicado en
Formato: Tapa blanda
Zweig's aim was to compose an eyewitness report on the first part of the twentieth century in order to save the horrendous truth for the next generations.
It is a shocking report about what he calls the 'Apocalypse': terror, war, revolutions, inflation, famine, epidemics, emigration, the rise of bolshevism, fascism and the most horrific plague of all: nationalism.
He gives us a compelling story of contrasts: the soldiers in the trenches and the arms merchants with their luxury life; English unemployed in five star hotels in Salzburg because they could afford a luxury life on the continent with their unemployment benefits; the brothels and the suicides because of syphilis (Eros Matutina); and the desertion of the Kaiser as a thief in the night at the end of the war, after driving millions of his compatriots into a certain death.
He also relates his encounters with fellow writers like Gide, Rolland, Rilke or Verhaeren.
A moving, outspoken, penetrating and emotional report.
A masterpiece.
56 de 57 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas So close, so far away 29 de julio de 2000
Por Manuel Haas - Publicado en
Formato: Tapa blanda
In the 1920s and 1930s Stefan Zweig was one of the most popular wirters of the world, best known for his biographies. After the Nazis had driven him from his native Austria because he happened to be Jewish, he tried to remember his own life. As he stresses in a preface, he does this not because he thinks that his own life is important, but to give as a view of the exciting times he experienced.
Zweig was born in 1881, so the times he describes are not more than 100 years away from ours - and yet it is all incredibly far away, even to a European like myself. Zweig describes pre-war Austria-Hungary as a "world of security" where nothing ever changed. The Jewish Bourgeoisie to which he belonged were obsessed with culture; even as adolescents, Zweig and his friends tried to get hold of the latest in German and French poetry. And to understand what you have heard about Freud, just read the chapter about the sexual hypocrisy among Vienna's upper class around 1900!
World War I changes this world of tolerance and security for ever. Zweig's country is broken up into ridiculous fragments, and the German-speaking countries are in a state of unrest which will eventually lead them into the self-destruction of Nazi barbarism. At the same time, the 1920s are a time of unprecedented creativity for German and Austrian writers (Thomas Mann, Musil, Rilke, Kafka etc.). Zweig shows us this wonderful world of letters, not just in his own country and language, but also in France, Italy, England. He meets Joyce, Rilke, G.B. Shaw, H.G. Wells and Yeats. Zweig's book shows you the riches European culture had to offer before World War II put an end to it. Zweig himself tried to start a new life in Brazil, but when the Nazis had conquered all of Europe in 1942, Zweig gave up all hope and committed suicide. Zweig's tragic fate mirrors that of Europe in his time. This book should be read by anyone who is interested in European culture in the 20th century.
34 de 35 personas piensan que la opinión es útil
5.0 de un máximo de 5 estrellas May I suggest complimenting the World of Yesterday with Florian Illies' 1913? 7 de noviembre de 2013
Por David H. Gustafson - Publicado en
Formato: Tapa blanda Compra verificada
This is an amazing memoir with an unbelievable cast of characters bringing to life the brilliance of Europe before it fell into the mass grave of the First World War.

Half way through I picked up Florian Illies' 1913, chronicling month-by-month, the personal struggles, wandering, eccentricities and triumphs of many of Europe's literary, intellectual and historical stars. I would then compliment each chapter of Zweig's memoir with a month or two from Florian's small masterpiece referencing many of the same characters.

May I recommend them both simultaneously!
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